|Vespers is the evening prayer of thanksgiving and praise in the Liturgy of the Hours. This was the most challenging painting for the “Where We Stand is Holy” installation as every body of water and her creatures are threatened. It was difficult to discern what to include: dolphins, sharks, blue fin tuna? The list is endless. Inspired by an interview I heard with world-reknowned marine biologist Sylvia Earle who spoke of the profound beauty when she started diving and given that our coral reefs are in crisis, I included many of the beautiful fish that call these underwater lungs home. |
The figure became Aphrodite who was born of the sea. Doves, the scallop shell, and pearl are some of her sacred symbols. And the chalice at the center, signifies the holiness of water that is used in every spiritual tradition for liturgical ritual. Water is life. Water is sacred.
Thank you for following along on this journey that began many years ago. After the first two panels were complete, I placed it on hold while I cared for my elderly father and made the transition back to the East coast. It felt like an overwhelming vision when I began and grateful to Spirit for guiding my hand.
Trust is an important aspect of the creative process!
Working on the rest of the pieces for the installation that will create a temple space to celebrate the sanctity and beauty of the creation and to grieve what is being lost. Sending prayers to those in California who are affected by the recent wildfires. May all beings be safe.
With love and gratitude,
|In Praise of Water |
Let us bless the grace of water:
The imagination of the primeval ocean
Where the first forms of life stirred
And emerged to dress the vacant earth
With warm quilts of color.
The well whose liquid root worked
Through the long night of clay,
Trusting ahead of itself openings
That would yet yield to its yearning
Until at last it arises in the desire of light
To discover the pure quiver of itself
Flowing crystal clear and free
Through delighted emptiness.
The courage of a river to continue belief
In the slow fall of ground,
Always falling farther
Toward the unseen ocean.
The river does what words would love,
Keeping its appearance
By insisting on disappearance;
Its only life surrendered
To the event of pilgrimage,
Carrying the origin to the end,
Seldom pushing or straining,
Keeping itself to itself
Everywhere all along its flow,
All at one with its sinuous mind,
An utter rhythm, never awkward,
It continues to swirl
Through all unlikeness,
A ceaseless traverse of presence
Soothing on each side
The stilled fields,
Sounding out its journey,
Raising up a buried music
Where the silence of time
Becomes almost audible.
Tides stirred by the eros of the moon
Draw from that permanent restlessness
Perfect waves that languidly rise
And pleat in gradual forms of aquamarine
To offer every last tear of delight
At the altar of stillness inland.
And the rain in the night, driven
By the loneliness of the wind
To perforate the darkness,
As though some air pocket might open
To release the perfume of the lost day
And salvage some memory
From its forsaken turbulence
And drop its weight of longing
Into the earth, and anchor.
Let us bless the humility of water,
Always willing to take the shape
Of whatever otherness holds it,
The buoyancy of water
Stronger than the deadening,
Downward drag of gravity,The innocence of water,
Flowing forth, without thought
Of what awaits it,The refreshment of water,
Dissolving the crystals of thirst.
Water: voice of grief,
Cry of love,
In the flowing tear.
Water: vehicle and idiom
Of all the inner voyaging
That keeps us alive.
Blessed be water,
Our first mother.
~ John O’Donohue
No surprise then that butterfly woman (see my first mandala at this link) is reappearing at this threshold of my life as I embark on the next stage of this journey and navigate my second Saturn return. This 29-year cycle is often a time of disruption and transformation, and a necessary shedding occurs that opens space for the new. Has this been true for you? My first Saturn return was marked by the deaths of my brother and mother that initiated me into a new awareness of the preciousness of life, prompting my relocation to Portland 25 years ago.
I have been blessed to call this place home all these years and it has been through a long period of discernment that I have decided to move back to the East coast. It’s a leap into the unknown which is at the heart of any pilgrimage. And as pilgrims on the path, we must follow the call of the soul. This doesn’t mean it has been easy or without grief and many sleepless nights but the signs are clear. It’s time to spread my wings.
The signs were emerging four years ago, during an Animas Valley quest into the wild indigenous soul but I was caring for my elderly father and was unable to make a move at that time. This came via email recently from one of my teachers and guides on the quest, Bill Plotkin:
If you’re in Colorado, I’ll be back to Mile Hi for the closing of my show on September 30th. Hope to see you there!
For those in the Northern Hemisphere, I hope your summer season is bringing you opportunities for rest, play, and wild creativity. We’re also seeing unprecedented heatwaves and too many fires around the world even in the Arctic and send prayers to all those impacted. It’s hard to deny the impact of climate change and my heart breaks for our beloved planet and all beings–human and the more-than-human world.
We are in the midst of radical change on a global scale and for those of us who are empathic, we are feeling this deeply. I vacillate daily between a desire to hide on one hand, and on the other, a call to action on a larger scale. Consider the social movements of the 20th century. But if we truly desire to work “Toward an Interspiritual World,” a world that is just, peaceful, and ecologically sustainable, there will be some birthing pains along the way. Remember to breathe deeply and tap into the creativity you were born with no matter what that looks like for you. This will be essential for your overall well being and contribute to the betterment of our world.
So, I was very inspired during my time with the Mile Hi community last month where my show will be on display through September 30. This is such a beautiful, heart-centered community and a model for these times around radical inclusivity, evolutionary consciousness, and faith in action. It was also very affirming of my work and returned home committed to this journey that began 15 years ago. This may require me to make some personal changes and listening for guidance on that. More to come. In the meantime, I am grateful to all those who I had the opportunity to speak with and to those who purchased originals and other sacred art goodies.
I believe most of us realize on some level that we are at a crossroads. “We can continue on the path we have been on, in this nation that privileges profit over people and land; or we can unite as citizens with a common cause–the health and wealth of the Earth that sustains us.” -Terry Tempest Williams, from The Hour of Land.
May it be so.
“Humanity stands at a crossroads between horror and hope. In choosing hope, we must seed a new consciousness, a radically fresh approach to life drawing its inspiration from perennial spiritual and moral insights, intuition and experience. We call this new awareness Interspiritual. . . the recovering of the shared mystic heart beating in the center of the world’s deepest spiritual traditions.” -Wayne Teasdale, “The Mystic Heart”
Created specifically for the Mile Hi exhibit, the “Unity Consciousness” mandala is inspired by the Science of Mind teachings of Ernest Holmes and his notion of the “Golden Thread of Truth” that recognizes that thread of connection between all our spiritual traditions. No matter what faith we choose or inherit, including science, we are all interconnected in the web of life. We are one with God, with the Other, and with all Creation symbolized by the cycles of the season. Colorado state animals shown here were my spirit guides during painting sessions. Learn more about Science of Mind here: https://tinyurl.com/y75x7udl
If you are in the Denver area, the show is up through the summer and closes on September 30. I will be on site June 24th and Septhember 30th from 8:30-2pm for the artist meet and greet.
These two recently completed paintings shown above ultimately became companion pieces to one another. Really self-portraits that speak to my own hope and prayer during these dark times. “Hope in the Dark” was originally inspired by 14th c mystic and theologian Julian of Norwich who lived during the time of the Black Death in Europe. You can see an early version of this painting from eight years ago here. While recovering energetically from caring for my father last year, I pulled this canvas out from a stack leaning against the wall and started re-working it and recalling her words throughout my process: “All shall be well, and all shall be well and all manner of thing shall be well” (Latin: Omnibus Bene Tibi Erit).
The title of the piece is also a nod to one of my favorite writers and historians Rebecca Solnit who wrote a book of the same title. She writes: “To hope is to gamble. It’s to bet on the future, on your desires, on the possibility that an open heart and uncertainty are better than gloom and safety. To hope is dangerous, and yet it is the opposite of fear, for to live is to risk.” Highly recommend reading this book especially for activists who are feeling ineffective at times.
“The Artist’s Prayer” also a prayer for peace among individuals and nations. The quote along the top reads:”Out beyond ideas of wrongdoing and rightdoing there is a field. I’ll meet you there.” -Rumi.
With so much at stake, our creativity in service to our world, to compassion, to love, to beauty, to oneness could not be more important. To hold out a light of hope and love….
Bow of gratitude to those who came to my opening at Karuna Contemplative earlier this month! Nice to reconnect with some old friends that I hadn’t seen in many years. The show will be up until the 26th. Now in preparation for my show at Mile Hi Church in Denver, Colorado. Readying myself for a long drive but it will be great to have my art further out in the world, touching hearts and minds with these sacred offerings. I’ll send out more information as I know some of you have friends in the area who may want to attend.
I will be bringing the nature mandala ceremony to the screening of artist/activist Chris Jordan’s Albatross on June 8th. It addresses the crisis of plastics in the ocean through the lens of the magnificent Albatross on Midway Island in the Pacific. Sure to break open the heart. I’ll send more information out as we approach.
As always, I welcome your thoughts.
Nice group of people showed up for my art opening last Friday at Karuna Contemplative Living. Thank you friends. Here with the owner, Anandi, and art enthusiast Mark. The show will be up through the end of May.
I chose these particular paintings for this exhibit because they embody the overarching message that weaves throughout my work. That we as a species must reclaim ancestral ways of being in sacred, reciprocal relationship with the earth if we are to ensure a livable planet for future generations and the survival of all species.
This was the inspiration for Resurrection: Holy mother earth with the seed of life nestled in the heart of the web of life. Our current paradigm is cracking open. Transformation, symbolized by the endangered monarch butterflies, is assured. To maintain life on earth, we need the resurrection of indigenous and ancient ways of knowing. Can we remember that we breathe with trees? That everything comes from the Earth?
Indigenous leaders and teachers like Chief Arvol Lookhorse and Robin Wall Kimmerer are telling us that we are at a crossroads. All Nations Tree of Life was inspired during a Lummi Nation ceremony and later reiterated by Chief Arvol Lookinghorse during the indigenous plenary at the Parliament of the World’s Religions in 2015. I wept through the entire three-hour session. Their message—red, yellow, black, white—we are all one people. “We must join together as a spiritual community in order to heal Mother Earth.” And again, reading Kimmerer’s inspirational book Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Her sacred text was the inspiration for the Reciprocity mandala. She writes: “The path is lined with all the world’s people, in all colors of the medicine wheel—red, white, black, yellow—who understand the choice ahead, who share a vision of respect and reciprocity, of fellowship with the more-than-human world. Men with fire, women with water, to reestablish balance, to renew the world.”
The question is: Are we listening?
My work is a contribution and a prayer toward this transformative vision.
Challenging Hate Speech and Violence panel. From left: Shariff Abdullah
(Commonway Institute), Sat Hanuman Singh Khalsa (Sikh), Harris Zafar (Muslim),
Joanie Levine (Compassionate Listening/NVC), and Rev. David Alexander
(New Thought Center for Spiritual Living).
An inspiring day on Sunday (re)connecting with people from all faith traditions and activists working for social and ecological justice. It was one year ago that many of us gathered in Salt Lake City for the Parliament of World Religions and am feeling re-energized from being present for this gathering. Also honored to have my painting “All Nations Tree of Life” grace the cover of the program and share my work with this community. The three panel discussions were around Climate Change (forgot to take a photo!), Indigenous Wisdom, and Challenging Hate Speech and Violence–all interrelated with the urgent call to shift collective consciousness from separation to unity/harmony. The day was closed with music and of course, dance. Bow of gratitude to all the presenters and organizers for this special event. For love of the earth and all beings.
Peace. Salam. Shalom.
May, Featured Artist
Karuna Contemplative Living
1725 SE Hawthorne Blvd
This is a sweet space in SE Portland. Owner Anandi Gefroh, shown here in the center, and I share a similar passion and purpose for supporting those on the spiritual journey. Thank you to everyone who came out for the opening. Art is up through May.
Karuna means compassion in Sanskrit. Specifically, it means to alleviate suffering. At Karuna, we believe that a contemplative life is about taking occasional breaks from doing, cultivating a sense of wonder and curiosity about ourselves and the environment around us through simple observation.
It was a very meaningful for me to be at Portland Community College during Earth Week where I brought my art installation “Momento Mori: Our Oceans in Crisis”. I had some powerful conversations with a diverse group of people from all over the world and dedicated our mandala to the people of Micronesia. One student, a kindhearted man from these small islands in the Western Pacific Ocean shared with me: “I am a climate refugee. My people are leaving their homeland to relocate to Australia and other countries due to rising sea levels and contaminated food sources from oil spills from tankers.” He was very grateful for my message as he feels that the world has not acknowledged them. He put a very real face to the climate crisis.
Many of the young students also gave me hope. After viewing my exhibit, a young woman shared with me that she felt sad. When I asked how she processes her sorrow around ecological issues, she said she goes to the beach and picks up other people’s garbage. Action is indeed the antidote to despair.
I put together a list of suggestions of what each of us can do on a daily basis to make a difference including self care and ways to get involved. You can view that here: What You Can Do Flyer
You can learn more about the nature mandala ceremony here.
For love of the EARTH!
Memento Mori is the Medieval Latin theory and practice of reflection on mortality.
This installation creates space to make visible what is invisible. To question: What are we willing to “see” and acknowledge? Do we veil ourselves to mask feelings of despair around the truth of a changing world including climate change and species extinction? Do we have the courage to bear witness to the beauty of our world, to break open our hearts for what we are losing, and be inspired to take actions to protect life on earth?
Much of what is now threatened by the ecological crisis isn’t visible to the human eye such as plankton, microscopic organisms that float on the surface of our oceans. Plankton comes from the Greek planktos meaning wandering or drifting. The neon-colored phytoplankton are responsible for half of the carbon dioxide that is naturally removed from the atmosphere. As well as being vital to climate control, phytoplankton produces as much oxygen as all the forests and terrestrial plants combined. However, some scientists argue that we have lost 40% over the past 60 years. What now? New research also illustrates the staggering amount of plastic being ingested by zooplankton, the foundation of our marine food chain. On average, we are losing 200 species per day.
Our grief is born of love and by allowing ourselves to feel our despair, we also discover gratitude for the miracle of life. With this exhibit, we are able to “see” that our very existence is intricately linked to the health of plankton and our oceans, both of which are currently under stress from our current way of life. Seeing the fragile beauty of these organisms, we recognize our innate interconnectedness in the web of life and respond with actions to slow the damage.
There is hope. I believe we each have the power to make a difference in our day-to-day lives—economically, politically, and in our consumer choices. I also believe in the power of human creativity and that each one of us has a gift to offer our world in service to other beings and to the earth. I invite you to find that one thing that breaks open your heart and that inspires you to, in the word of Gandhi, “be the change that you wish to see in the world.”
Profound gratitude to Christian Sardet and The Macronauts, Plankton Chronicles project for permission to use their photography for this project. planktonchronicles.org