|Vespers is the evening prayer of thanksgiving and praise in the Liturgy of the Hours. This was the most challenging painting for the “Where We Stand is Holy” installation as every body of water and her creatures are threatened. It was difficult to discern what to include: dolphins, sharks, blue fin tuna? The list is endless. Inspired by an interview I heard with world-reknowned marine biologist Sylvia Earle who spoke of the profound beauty when she started diving and given that our coral reefs are in crisis, I included many of the beautiful fish that call these underwater lungs home. |
The figure became Aphrodite who was born of the sea. Doves, the scallop shell, and pearl are some of her sacred symbols. And the chalice at the center, signifies the holiness of water that is used in every spiritual tradition for liturgical ritual. Water is life. Water is sacred.
Thank you for following along on this journey that began many years ago. After the first two panels were complete, I placed it on hold while I cared for my elderly father and made the transition back to the East coast. It felt like an overwhelming vision when I began and grateful to Spirit for guiding my hand.
Trust is an important aspect of the creative process!
Working on the rest of the pieces for the installation that will create a temple space to celebrate the sanctity and beauty of the creation and to grieve what is being lost. Sending prayers to those in California who are affected by the recent wildfires. May all beings be safe.
With love and gratitude,
|In Praise of Water |
Let us bless the grace of water:
The imagination of the primeval ocean
Where the first forms of life stirred
And emerged to dress the vacant earth
With warm quilts of color.
The well whose liquid root worked
Through the long night of clay,
Trusting ahead of itself openings
That would yet yield to its yearning
Until at last it arises in the desire of light
To discover the pure quiver of itself
Flowing crystal clear and free
Through delighted emptiness.
The courage of a river to continue belief
In the slow fall of ground,
Always falling farther
Toward the unseen ocean.
The river does what words would love,
Keeping its appearance
By insisting on disappearance;
Its only life surrendered
To the event of pilgrimage,
Carrying the origin to the end,
Seldom pushing or straining,
Keeping itself to itself
Everywhere all along its flow,
All at one with its sinuous mind,
An utter rhythm, never awkward,
It continues to swirl
Through all unlikeness,
A ceaseless traverse of presence
Soothing on each side
The stilled fields,
Sounding out its journey,
Raising up a buried music
Where the silence of time
Becomes almost audible.
Tides stirred by the eros of the moon
Draw from that permanent restlessness
Perfect waves that languidly rise
And pleat in gradual forms of aquamarine
To offer every last tear of delight
At the altar of stillness inland.
And the rain in the night, driven
By the loneliness of the wind
To perforate the darkness,
As though some air pocket might open
To release the perfume of the lost day
And salvage some memory
From its forsaken turbulence
And drop its weight of longing
Into the earth, and anchor.
Let us bless the humility of water,
Always willing to take the shape
Of whatever otherness holds it,
The buoyancy of water
Stronger than the deadening,
Downward drag of gravity,The innocence of water,
Flowing forth, without thought
Of what awaits it,The refreshment of water,
Dissolving the crystals of thirst.
Water: voice of grief,
Cry of love,
In the flowing tear.
Water: vehicle and idiom
Of all the inner voyaging
That keeps us alive.
Blessed be water,
Our first mother.
~ John O’Donohue
“Listen, are you breathing just a little, and calling it a life?”
It has been a slow unfolding here since my last newsletter. Settling into my new home and studio here in Panther Branch Township just south of downtown Raleigh. It’s now six months since I pulled out of Portland and headed back East to begin a new chapter of life. Something I swore I would never do after moving alone to Portland in 1993. It was hard then and I was in my early 30s. It took time to make a life but a beautiful life it was and remain so grateful for all the many gifts over the years.
Never say never. Here I am approaching 60 and starting over again! Natural concerns about finding community, making meaningful connections, and making a living linger but life–and loss–have taught me too many times that everyday is a gift. Some days I am lonely but on this day of life, I am following my soul. Where it will lead remains a mystery. This is the journey of a pilgrim. Will you join me? “Are you breathing just a little and calling it a life” to quote Oliver. Where are you being called to expand and take a step toward your soul calling? Artistically or otherwise?
Right now, I am committed to finishing the “Where We Stand is Holy” installation by the end of August to begin exhibiting in the Fall. I began the series of paintings around endangered species and landscapes several years ago but got put aside while care taking my father prior to his death and with the cross-country move. Prints of the first two panels (Lauds: Prayer for the Birds and “Sext: Prayer for the Desert”) are available at my shop.
The new studio seen above looks out over a quiet piece of land with wild trees, a little pond, and an abundance of Cardinals and Eastern Bluebirds. I traveled 3000 miles to find peace. Om shanti. Though I do look forward to returning to Portland to visit friends!
For love of the EARTH,
“The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. To protect what is wild is to protect what is gentle. Perhaps the wilderness we fear is the pause between our own heartbeats, the silent space that says we live only by grace. Wilderness lives by this same grace. Wild mercy is in our hands.” -Terry Tempest Williams, Refuge.
This painting came through me very quickly on one hand just prior to my move but I have long been drawn to the tragic story of the Passenger Pigeon. With a population between 3-5 billion, it was the most abundant bird in North America. Flocks would darken the sky for days as they flew overhead. Yet human exploitation drove this species to extinction over the course of a few decades. “Martha” the last Passenger Pigeon died in 1914. Originating in Scotland, the cairn or stacked stones, implies a funereal monument and in the lower left corner, the extinction symbol. Created by a London artist Xylo: “The circle signifies the planet, while the hourglass inside serves as a warning that time is rapidly running out for many species” during what is now being defined in our time as the Sixth Mass Extinction of Species.
The demise of the Passenger Pigeon is also an urgent message around our own vulnerability in the face of ecological degradation including climate change. “How might we act with restraint” to quote Williams? And how do we navigate these changing times? And with grace?
While speaking at the Parliament of the World’s Religions in November, indigenous elder Jim Dumont, of the Anishinabeck Nation, encouraged us to “Speak for the plants. Speak for the creation. Speak to the conscience of those who are destroying them.” This was affirming of my work and deeply moving. I wept. Art plays an important role not only in communicating a message/vision but, as most of you know, the process itself offers healing and a spiritual practice for resilience during troubled times. Even something as simple as coloring, drumming, planting flowers, or the latest ZenTangle can have enormous benefits for your well being and stress level.
I am settling into the new home and studio here in the Panther Branch Township (in Raleigh NC) and will share more next month. You can always check out Facebook, Twitter, or Instagram for updates between newsletters. As always, I welcome your thoughts.
For love of the EARTH!
The Essence of Desire
I did not have to ask my heart what it wanted,
because of all the desires I have every known
just one did I cling to
for it was the essence of
to hold beauty in
my soul’s arms.
-St John of the Cross
From my June/July newsletter:
Greetings Earth Lovers
The late Irish philosopher and poet John O’Donohue said: “God is Beauty.” When we encounter beauty, we have an opportunity to experience the transcendent. The numinous, that which takes us out of the profane and into the sacred. These are indeed holy moments and we all have experienced this especially in nature.
Many years ago, I remember driving through the Okanagan region of British Columbia, high in the Canadian Rockies. I was alone, driving back from seeing a friend perform at a music festival in the area and had Puccini’s “La Boheme” in the tape deck. I had driven through this valley in the middle of the night from Vancouver airport several days earlier and had no clue as to the landscape I had traveled. At one point on my return, I reached the top of one peak at the exact moment an aria from the opera hit its crescendo and was completely overcome by awe at the profound beauty and holiness of the land before me. Combined by the dramatic nature of the music, I stopped in the middle of the road and wept.
I could dwell in that space of awe all the days of my life and sense it is a longing for us all in our fast-paced, technologically driven world. What about you? Where have you experienced this sense of awe and wonder? These moments and others like them inspire my work as a sacred artist and advocate for the earth. I believe deeply that what we love, we will protect.
These days, I am immersed in completing two paintings (one a triptych or three panels) for the interfaith prayer room at Providence St Vincent hospital here in Portland. The two side panels from the “Interfaith Tree of Hope” are shown here. I look forward to unveiling these paintings to you later this month. You can see other photos in process at my studio Facebook page.
I appreciate your support of this holy work especially now as I walk with my father who was hospitalized again in May and is currently receiving hospice care in assisted living. There are pearls to be gleaned here even amidst my exhaustion. I see the struggle between his will to live and fear of dying for one who has no faith or spiritual grounding. I pray for his peaceful transition as a faithful witness to his journey.
Sikhism, Christianity, Buddhism, Sufism, Baha’i
Taoism, Judaism, Hinduism, Jainism, Islam
|“Eve” from “Lovers of Creation” Triptych, ©Amy Livingstone|
I bow to all mothers on this day. . . past present and future and for all of those (women and men) who are nurturing the Divine Feminine into being. I gave this talk five years ago and am sharing again with you today.
Nurturing the Divine Feminine into Being
Abundant Life Center, Vancouver, WA
Mother’s Day. May 13, 2012
Happy Mother’s Day. It’s fitting that that the talk today is on the Divine Feminine. A day when we honor, celebrate, and remember mothers. What better symbol of the divine feminine than that of the mother. She who nurtures a new life into being. Who BIRTHS…FEEDS from her own body, LOVES, and NURTURES the soul of a child into adulthood. From the late Irish philosopher and poet, John O’Donohue
Your voice learning to soothe
Your new child
Was the first home-sound
We heard before we could see.
Your young eyes
Gazing on us
Was the first mirror
Where we glimpsed
What to be seen
Your nearness tilled the air,
An umbilical garden for all the seeds
Of thought that stirred in our infant hearts.
You nurtured and fostered this space
To root all our quietly gathering intensity
That could grow nowhere else.
Formed from the depths beneath your heart,
You know us from the inside out.
No deeds or seas or others
Could ever erase that.
Mother…. Symbol of LOVE. For me, this is the heart of the Divine Feminine. Remembering and nurturing the Divine Feminine into being is a journey from head-to-heart. From hatred to love. From power over to power with. From meaningless consumption to a renewed sense of reverence for life and beauty. This will require a radical shift in consciousness to a new way of being in relationship to each other and our world….to the Earth.
There’s a lot being written about the Divine Feminine these days. One of the many voices contributing to this conversation, is spiritual teacher Andrew Harvey. He writes: “The Divine Feminine is initiating a crucial new phase in our evolution: urging us to discover a new ethic of responsibility toward the planet; bringing us a new vision of the sacredness and unity of life.” I believe that without THIS vision…this evolution…our planet remains in peril, and our very survival is at risk. Most of us know that we are facing ecological, economic and social crises around the world. Climate change, species extinction, threats of nuclear war, toxic food sources, and the list goes on. Social thinker David Korten, calls this the ‘great unraveling.’
What we are experiencing is the result of a dominant masculine paradigm, that emerged alongside the rise of monotheistic religions that placed one male God in a position of authority over all humanity and creation. Attempting to extinguish the Goddess in all her incarnations, the Abrahamic traditions—Judaism, Christianity, and Islam suppressed the feminine and subjected women to an inferior position beginning with our first archetypal Mother, Eve. However, what I have discovered through my own spiritual explorations and graduate studies in religion is the way in which these original sacred texts have been subjectively interpreted over the millennia to serve those in power.
For example, the Creation story is believed to have been written during and after the Israelite’s exile in Babylon (what is Iraq today). The ancient creation myths—Enuma Elish and Gilgamesh—were part of the oral tradition in that region. Theologians believe that in an attempt to understand the source of their own suffering and place in the cosmos, the early writers of the Torah borrowed from these ancient myths to write their own story of origin. Therefore, the notion that we are born into original sin, as we have been indoctrinated to believe in Christianity, was not the intention behind the Garden of Eden story. Those of the Jewish faith don’t believe they are born into original sin but original goodness. But without the notion of the Fall and original sin, what is the role of Christ as redeemer?
What is the role of the Catholic Church? For me, Christ’s message of love, service, compassion, inclusivity, and a willingness to challenge the military authority of his time, is a beautiful example of the Divine Feminine in practice. Love. Compassion. Inclusiveness. Unity…all lie at the heart of the Divine Feminine. What has excited me in researching these sacred texts, is that we also have the opportunity to rethink, and reinterpret, scriptures in a way that is reflective of our own time…and in support of a more progressive spirituality that IS inclusive.
Although most of our religious traditions have worshiped male deities over the millennia—Yahweh, Christ, Allah, Buddha, Krishna, etc., the feminine face of god has existed alongside them all along and are now becoming more recognized and gaining in popularity…certainly in the West where the Judeo-Christian tradition has been dominant in our culture. Women and men are seeking out alternatives to traditional religions that are more inclusive and less dogmatic.
• In Judaism, and the mystical teachings of Kabbalah, Shekinah is the feminine divine presence.
• In Christianity, Mother Mary, Mary Magdalene, and also Eve as first Mother, are all now being honored as representatives of the divine feminine
• In Islam and Sufism, Fatima, wife to the Prophet Mohammed, and the Beloved
• In Buddhism, Kuan Yin, Goddess of Compassion, is worshipped all over world including the United States.
• In Hinduism, there are 330 million gods and goddesses. Although Brahma, Shiva, and Vishnu are the three primary male deities, in the pantheon of goddesses, Shakti, Saraswati, Lakshmi, Kali, Durga to name a few all represents aspects of the divine feminine.
• Of course, there is also a whole pantheon of Greek and Roman goddesses, so we are not lacking for images that represent the feminine face of god but we are now at a point in history where the recognition of their own Divinity can support us in bringing back into balance the masculine and feminine energies. We need the masculine as much as the feminine but as we have experienced the scale has been tipped too far towards the masculine–causing wars and ecological degradation around the world. This is why it is so important to nurture the divine feminine into being.
Outside of these religious traditions there has also been, since the feminist movement of the 70s, the revival of the most ancient goddess of all…that of Gaia. Mother Earth. What our indigenous brothers and sisters have always known, is that the Earth is our first Mother. The embodiment of the divine feminine, she is the giver of life. Sustainer of life and worthy of our reverence and devotion. Unfortunately, this hasn’t always been the case given the first commandment to have no other gods than the one god of the Abrahamic traditions.
And there are those who strongly hold to their beliefs that those who honor the Earth are pagan, devil-worshippers, and will go to some version of hell. It’s part of the conversation, too, but I feel hopefully that many of our religious leaders are now embracing and encouraging good stewardship of the Creation among their followers. Through a number of mystical experiences, I have come to a deep awareness that no matter who or what we worship (be it a god, goddess, or science)—we are all interconnected and we are all of the Earth.
I want to mindful of not painting an idealized portrait of the Divine Feminine. Love may be the heart of the divine feminine. And yes, a mother’s love is tender and nurturing but it is also a fierce love. This is the marriage of light and shadow. The Goddess, as Gaia, is a giver and sustainer of life, but she is also the destroyer of life as we have been witness to in the large-scale natural disasters that have become more prevalent. And all of you who are mothers know you would protect your young at all costs.
When Marianne Williamson speaks she often uses the story of the hyena mother who guards against the rest of the den of hyenas until all her young are fed. In her analysis, females are anthropologically wired to protect their young. For me, the emergent Divine Feminine is likewise asking that we harness both the tender love and fierce love to awaken, heal, and transform our world from one that is unsustainable to one that is life-sustaining—where our children are fed and bombs are no longer necessary.
We now know that the Divine Feminine has been present throughout history but how do we nurture it fully into being? Through us? How do we mid-wife this new era into consciousness? As I stated in the opening, this is a journey from the head to the heart for all of us—men and women. What I’ve learned is that it requires us to break open our hearts to each other and our world. To compassion. To love. To Oneness. Those attributes of the Divine Feminine.
I know what it feels like to have my heart broken wide open from my own experience through loss and grief when I was 30. Today is Mother’s Day and I’m thinking about my mother, Jane. She died unexpectedly 22 years ago. Nine months after my brother died from AIDS. It was a very dark time in my life but through my suffering, the dark night of the soul to quote St John of the Cross, I was able to open my heart to compassion for others, for all life. There were many gifts that came out of this period in my life for which am now grateful, though it was hell on earth for a time.
Breaking open our hearts doesn’t have to happen to so tragically, though it often does happen that way, doesn’t it? But let us not wait for a catastrophe to open or hearts to our world. In my workshops, the first step I offer on this journey of the heart is to slow down, take time for silence and stillness. Contemplation. Coming into awareness of the revelatory miracle of Creation. Mother Earth. There is so much beauty around us at any given moment, if we would we allow ourselves the time to simply BE. Beauty breaks open our heart. Think of a time when you became aware of this. ……
In “Urgent Message from Mother: Gather the Women, Save the World,” author and Jungian Jean Shinoda Bolen writes: “Seeing beauty, loving what is beautiful, and nurturing and sustaining it all go together. It is also the ability to sense or intuit potential beauty and, through love, encourage it into existence.” Sounds like the Divine Feminine to me.
Beauty is available to us everywhere even when we’re stuck in traffic. Last Saturday morning, I was crossing the Vancouver bridge to lead a workshop at the Unitarian. It was the first time in 19 years of living in Portland, that I got the bridge lift. Though concerned for a moment at being late, I just turned off my engine and sat, watching the birds play in the rafters above me. Listening to their bird song, I breathed deeply into the present moment. I had no control over the situation, so I just allowed everything to be as it was.
Allowing ourselves to be more present to life—being with both with the joy and the grief that may emerge when we finally step off the speeding train that is contemporary life—is key to breaking open our hearts and inviting in the Divine Feminine. I believe the most radical thing we can do is to slow down. In this way, we are better able to be present to beauty, to our feelings, to the people in our lives, to God, to bear witness to what is happening in our world and then take action from a place of LOVE.
As an artist, of course, one of the primary expressions for me to nurture the divine feminine into being is through my artwork. First, in the creation of clay sculptures, primarily of the feminine form, much like our ancestors who sculpted the goddess during the Neolithic period. For example, I’m currently completing a series of ceremonial sculptures that represent three seasons of a woman’s life—the Maiden, Mother, and Crone. Painting has been my primary medium since my teens and although at one time my work emerged out of the darkness and disappointment in my life, I now create sacred art that draws from the holy well of all spiritual traditions.
Today it is beauty that is my gateway to the Divine. Over the past year, I completed a large-scale, three-panel painting that re-visions the Garden of Eden narrative through an indigenous lens. The overarching theme for the piece became “the Garden is right here, right now.” Paradise is not in some unknowable future, but right here on this glorious planet…we need only remember the holiness of this place we call home. Bringing together symbolism from both the Genesis narrative and those of our earth-honoring ancestors, the painting is a visual scripture that reveals our innate interconnectedness in the web of Creation. Here, Adam and Eve representing the Divine Masculine and the Divine Feminine, reclaim their roles as stewards of Creation.
The creative process brings us into the present moment and I believe with all my heart, that we each have a creative gift to bring to the world what ever that may look like for you. I’m awed by people who make art in their kitchen. Fruits and vegetables are so gorgeous. Creativity is our sacred inheritance. As we are born into a creative universe, so we are all co-creators in our evolutionary history. To quote theologian and founder of Creation Spirituality, Matthew Fox:
To allow creativity its appropriate place in our lives and our culture, our education and our family relationships, is to allow healing to happen at a profound level. The intimacy of creativity corresponds to the mystical experience itself. Mysticism bespeaks union, and there is an ongoing union of us and the Divine (Feminine) precisely during the process of giving birth in any form whatsoever.”
Creating life, being a mother… a parent….is one of the most creative acts a human being can undertake. And I bow to you all on this Mother’s Day. Our indigenous teachers say this is the remembering time. A time to remember our relationship to the Earth, our first Mother… that we are all interconnected in the web of life. I also believe it’s a time for remembering your innate creativity in whatever form that may take to serve the healing of our own hearts…our families…our world.
We may be living amidst the great unraveling according to David Korten, but in the words of my teacher, environmentalist Joanna Macy, we are also in the midst of the Great Turning. This is a time of great transformation foretold by many ancient prophecies when the divine feminine and masculine will come into balance again after a period of near extinction and initiate a new phase of evolution ushering in a renewed vision that honors the sacredness of all life on Earth. May it be so.
In closing, a poem that speaks to me of the emerging Divine Feminine:
Beauty is the Messenger
Beauty is the messenger
Calling love out from forgotten places
Hidden by worry and fear,
And misplaced under the illusion of scarcity.
War, pain and conflict are all too evident
Between border towns, strangers and commuters.
But LOVE grows exponentially faster.
It IS the speed of light.
So, kindness reaches its destination
Infinitely faster than the time it takes
For the heaviness of cruelty
To chafe across toughened skin.
Beauty is the messenger
Waking up the sense of wonder,
Rounding up our wholeness into connection beyond ourselves
And increasing our capacity for limitless love.
Beauty is the messenger
Proving the incompatibility
Of splendor and malice;
Showing simply by example…
What is possible.
May all beings know peace. May all beings be loved.
New energy is pulsating within me and in my work as Spring brings forth the fecundity of the living earth. Amidst the stress of what is unfolding in our political scene, I find great comfort in the beauty that abounds from the sound of birdsong to daffodils; from the decomposing leaves waiting to be raked from the beds to the a splattering of St John’s Wort peeking through the soil—ripe with the smell of humus. The earth is indeed alive and “so much is in bud” to quote Levertov.
On Monday, I changed the altar cloth to yellow in the studio in celebration of Spring and in honor of Saraswati. Resting here in the center, holding her veena (string instrument) she is the Hindu goddess of learning, wisdom, and the creative arts. Now is an especially fruitful time to create as Mother Earth brings forward her beauty. No matter where you are, there is some piece of beauty at hand. A stone, a flower, an apple, a leaf, a bird….listen….look…breathe.
“From too much love of living,
Hope and desire set free,
Even the weariest river
Winds somewhere to the sea–“
But we have only begun
To love the earth.
We have only begun
To imagine the fullness of life.
How could we tire of hope?
— so much is in bud.
How can desire fail?
— we have only begun
to imagine justice and mercy,
only begun to envision
how it might be
to live as siblings with beast and flower,
not as oppressors.
Surely our river
cannot already be hastening
into the sea of nonbeing?
Surely it cannot
drag, in the silt,
all that is innocent?
Not yet, not yet–
there is too much broken
that must be mended,
too much hurt we have done to each other
that cannot yet be forgiven.
We have only begun to know
the power that is in us if we would join
our solitudes in the communion of struggle.
So much is unfolding that must
complete its gesture,
so much is in bud.
My 92 year old father fell and broke his hip in December. It has been a wild journey in moving him from the hospital, to rehab, and now to assisted living. For any of you who have walked this path with your elders, you know the intensity and time this takes. I have had some sweet moments in the studio, working on various projects including sketches for the interfaith prayer room at a local hospital. I continue to believe in the power of art and beauty to heal our hearts and our world even amidst the insanity of what is unfolding in our country.
I will return soon with more offerings, art, poetry, and inspiration!
In our sleep,
pain which cannot forget
falls drop by drop upon the heart
until, in our own despair,
against our will,
through the awful grace
Tiny presence amidst the holy waters of Tahoma.
Nestled sweetly within the cool, clear rippling stream.
Silent sentinel to the raging waters nearby.
Light-sprinkled tendrils reach to the heavens.
Bearing witness to shape-shifting White River.
Holding court among swaying algae in the shadow
of what remains of the Creator’s architectural beauty.
Stone people. Ancient ones.
Keepers of memories in a changing world and
holding a vision for what might be
as new life emerges
from the generous, heart-shaped valley of her coat.
Silent. Still presence in this cathedral
where earth, air, fire and water meet.
She offers a prayer that humanity
awaken from its slumber to this;
the revelatory miracle that is Creation.
Baptized by her waters. I offer love.
Together our souls are one.
-Amy Livingstone, July 28, 2014
Reflecting this week on my Animas Journey from 2 years ago. Worth sharing again, friends. Wild Blessings.
Tahoma is one of the indigenous names for Mt. Rainier. A powerful apus (Mt. Spirit from the Andean spiritual tradition), his presence was palpable during my recent trek into the Wilderness of Soul with Animas Institute. I felt a deep soul connection to the mountain, the stone people… my ancestors the “living stones,” and the holy waters of Tahoma and wanted to give expression to that through this painting on my return. And although most of you know me as a deep appreciator of poetry, I seldom write poetry. However, the joy of being in the presence of not only this sacred landscape but also being with men and women appreciating, reading, and writing poetry, I felt a sense of belonging with kindred souls that is often difficult to find in the wildly busy, technologically-driven world we live in. So, I was invited and inspired to write a few poems during my wanderings, and I share this one with you. The natural world is a ready muse anytime we take time to be slow and present to the more than human world at any given moment.
A note on soul as defined by Bill Plotkin, founder of Animas Institute, in Wild Mind: “The soul is a person’s unique purpose or identity, a mythopoetic identity, something much deeper than personality or social-vocational role, an identity revealed and expressed through symbol and metaphor, image and dream, archetype and myth. . . . Soul is the particular ecological niche, or place, a person was to born to occupy.”
I’ve been in a wandering mood since my return, enjoying long walks and a lovely hike into Dry Creek Falls the other day, so I will keep this brief but wanted to touch base before Autumn returns next month. My Animas journey was affirming of my own particular way of engaging the world and of the necessity for me to continue following my soul around art, spirituality, beauty and how these contribute to to the healing of the earth. To quote poet Mary Oliver, “My work is in loving the world.” What is your soul calling to you around your unique purpose at this time? Painters, poets, musicians, writers, filmmakers, dancers, singers, all the arts, play a necessary and important role in our world to sustain the soul of a people. We can have a world where technology, efficiency, consumerism and rationality rule, but it would be a soulless one.
“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race, and the human race is filled with passion. Medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.” -from Dead Poet’s Society. In memory of Robin Williams.
Wild blessings and love for the EARTH!
I haven’t disappeared my friends but after five months of events, I am back in the studio working. This summer, my intention is to get as far as I can on completing the “Where We Stand is Holy” series that began with “Lauds: Prayer for the Birds.” Shown here are details from “Sext: Prayer for the Desert.” Desert Tortoise, Sage Grouse, and Black-chinned Hummingbird. There are efforts to list the Sage Grouse as endangered species but much resistance from the oil/gas lobbyists as it would impact exploration and extraction in the SW.
“Sext: Prayer for the Desert” is nearly complete. I am also in various stages with Vespers (water) and Compline (mammals). These paintings inspired by illuminated manuscripts shine a light on endangered species as well as the beauty of those wild places under siege by oil/gas extraction, plastics in the ocean, and climate change. I’m envisioning these panels to be part of larger installation and will share more as that develops. In the meantime, I am offering limited-edition art prints with a percentage of your purchase benefiting organizations working to protect our creatures and wild places. Shop here: http://sacredartstudio.net/product-category/prints/
I was reminded of her book again after finishing the painting shown here, “Resurrection.” Although most would associate the word or concept with the resurrection of Christ, I am using the word in context with the necessary and emerging return of the ancient paradigm associated with our indigenous ancestors and the Divine Feminine of the Goddess tradition, prior to the rise of patriarchy. Although I would also suggest that Christ is likewise an embodiment of the feminine with his original message of inclusivity and love for the neighbor and stranger.
From Amazon: “In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.”
Butterflies = transformation. Life. Death. Beauty. Preciousness of life. Bowie. Rickman. Frey. Levine. Icons and teachers. So breathing into the complexities of life and in my heart, and piecing together a mosaic of beauty in a broken world.
As always, I welcome your thoughts.
A blessed and wildly creative new year to you,