|Vespers is the evening prayer of thanksgiving and praise in the Liturgy of the Hours. This was the most challenging painting for the “Where We Stand is Holy” installation as every body of water and her creatures are threatened. It was difficult to discern what to include: dolphins, sharks, blue fin tuna? The list is endless. Inspired by an interview I heard with world-reknowned marine biologist Sylvia Earle who spoke of the profound beauty when she started diving and given that our coral reefs are in crisis, I included many of the beautiful fish that call these underwater lungs home. |
The figure became Aphrodite who was born of the sea. Doves, the scallop shell, and pearl are some of her sacred symbols. And the chalice at the center, signifies the holiness of water that is used in every spiritual tradition for liturgical ritual. Water is life. Water is sacred.
Thank you for following along on this journey that began many years ago. After the first two panels were complete, I placed it on hold while I cared for my elderly father and made the transition back to the East coast. It felt like an overwhelming vision when I began and grateful to Spirit for guiding my hand.
Trust is an important aspect of the creative process!
Working on the rest of the pieces for the installation that will create a temple space to celebrate the sanctity and beauty of the creation and to grieve what is being lost. Sending prayers to those in California who are affected by the recent wildfires. May all beings be safe.
With love and gratitude,
|In Praise of Water |
Let us bless the grace of water:
The imagination of the primeval ocean
Where the first forms of life stirred
And emerged to dress the vacant earth
With warm quilts of color.
The well whose liquid root worked
Through the long night of clay,
Trusting ahead of itself openings
That would yet yield to its yearning
Until at last it arises in the desire of light
To discover the pure quiver of itself
Flowing crystal clear and free
Through delighted emptiness.
The courage of a river to continue belief
In the slow fall of ground,
Always falling farther
Toward the unseen ocean.
The river does what words would love,
Keeping its appearance
By insisting on disappearance;
Its only life surrendered
To the event of pilgrimage,
Carrying the origin to the end,
Seldom pushing or straining,
Keeping itself to itself
Everywhere all along its flow,
All at one with its sinuous mind,
An utter rhythm, never awkward,
It continues to swirl
Through all unlikeness,
A ceaseless traverse of presence
Soothing on each side
The stilled fields,
Sounding out its journey,
Raising up a buried music
Where the silence of time
Becomes almost audible.
Tides stirred by the eros of the moon
Draw from that permanent restlessness
Perfect waves that languidly rise
And pleat in gradual forms of aquamarine
To offer every last tear of delight
At the altar of stillness inland.
And the rain in the night, driven
By the loneliness of the wind
To perforate the darkness,
As though some air pocket might open
To release the perfume of the lost day
And salvage some memory
From its forsaken turbulence
And drop its weight of longing
Into the earth, and anchor.
Let us bless the humility of water,
Always willing to take the shape
Of whatever otherness holds it,
The buoyancy of water
Stronger than the deadening,
Downward drag of gravity,The innocence of water,
Flowing forth, without thought
Of what awaits it,The refreshment of water,
Dissolving the crystals of thirst.
Water: voice of grief,
Cry of love,
In the flowing tear.
Water: vehicle and idiom
Of all the inner voyaging
That keeps us alive.
Blessed be water,
Our first mother.
~ John O’Donohue
“Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world.”~ John Milton, 17th c poet.
Welcome new friends! As I await Hurricane Dorian’s impact here in my adopted state of NC, contemplating this painting “Reverence.” They say Raleigh-Durham area shouldn’t experience too much damage but sending out prayers to those devastated in the Bahamas and coastal areas. The awe and fierceness of Mother Gaia.
While working on this painting a few years ago, what kept coming to me was “Why Do We Crucify Ourselves?” (in the face of the climate crisis and ecological degradation) but what ultimately came through was “reverence”. How do we reverence the earth so profoundly, that it changes “forever how we experience life and [care for] the world?
I’ve always been drawn to the Celtic Cross when I see them scattered throughout old cemeteries–standing there majestically with their beautiful, ornate designs. Here, I added the Celtic knot pattern inspired by my own ancestral, Scottish homeland and symbols of the four elements (air, fire, earth, water) used by alchemists. I love drawing from the wisdom of the ancients, who have much to teach us about balancing the transcendent with the sacred imminent woven throughout the everyday.
It was a delight to have people from 350 Triangle come together in my new studio space to co-create in preparation for the upcoming Climate Strike here in Raleigh, and there are actions all across the globe. It’s been many years since I’ve had any workshops in my space due in part to caring for my elderly father until his death and then the transition to move back to the East coast. Feel energized again to start offering workshops again this fall. Visit my workshops page to learn more: https://www.sacredartstudio.net/events/
With love and gratitude,
|“It’s absurd to think of artists simply as ‘painting nature.’ . . . For them, nature is a medium, a language by which they reveal their world. What genuine painters do is to reveal the underlying psychological and spiritual conditions of their relationship to their world. . . They have the power to reveal the underlying meaning of any period precisely because the essence of art is the powerful and live encounter between the artist and his or her world.” -Rollo May|
I recently picked up and began re-reading Rollo May’s The Courage to Create that I first encountered back in graduate school. It’s an inspiring manifesto for the artist around the importance of art and creativity in a societal context as well as unconscious obstacles that are necessary to overcome in order to give birth to our artistic vision. For example, the relationship between creativity and death, our immortality, and what he refers to as “an active battle with the gods.”
Not unlike Stephen Pressfield’s The War of Art, it means moving past resistance and trusting in the process. That the “gods” are actually on our side. Showing up even when it’s challenging. Not always easy but it is possible at any stage of our life.
It takes courage, which comes from the French root coeur or heart, to show up for creative work. A very talented friend of mine recently picked up a paintbrush again after 30 years. She entered her gorgeous painting into a juried exhibition and it was accepted. It’s never too late to pick up a brush, or the pen.
I can recognize when I’m hitting resistance in my process usually when nearing completion. While working on the above (from the Where We Stand is Holy installation), I needed to surrender for a time and then wrestle with the angels or demons that kept me from moving forward. It’s a breakthrough moment and am now in the finishing stages of this piece that shines a light on the creatures of the Arctic regions threatened by climate change. Where are you resisting your creative expression?
If you read or subscribe to the Science of Mind magazine look for my article, “Sacred Art. Sacred Activism.,” in the August issue.
Happy Interdependence Day!
“Listen, are you breathing just a little, and calling it a life?”
It has been a slow unfolding here since my last newsletter. Settling into my new home and studio here in Panther Branch Township just south of downtown Raleigh. It’s now six months since I pulled out of Portland and headed back East to begin a new chapter of life. Something I swore I would never do after moving alone to Portland in 1993. It was hard then and I was in my early 30s. It took time to make a life but a beautiful life it was and remain so grateful for all the many gifts over the years.
Never say never. Here I am approaching 60 and starting over again! Natural concerns about finding community, making meaningful connections, and making a living linger but life–and loss–have taught me too many times that everyday is a gift. Some days I am lonely but on this day of life, I am following my soul. Where it will lead remains a mystery. This is the journey of a pilgrim. Will you join me? “Are you breathing just a little and calling it a life” to quote Oliver. Where are you being called to expand and take a step toward your soul calling? Artistically or otherwise?
Right now, I am committed to finishing the “Where We Stand is Holy” installation by the end of August to begin exhibiting in the Fall. I began the series of paintings around endangered species and landscapes several years ago but got put aside while care taking my father prior to his death and with the cross-country move. Prints of the first two panels (Lauds: Prayer for the Birds and “Sext: Prayer for the Desert”) are available at my shop.
The new studio seen above looks out over a quiet piece of land with wild trees, a little pond, and an abundance of Cardinals and Eastern Bluebirds. I traveled 3000 miles to find peace. Om shanti. Though I do look forward to returning to Portland to visit friends!
For love of the EARTH,
“The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. To protect what is wild is to protect what is gentle. Perhaps the wilderness we fear is the pause between our own heartbeats, the silent space that says we live only by grace. Wilderness lives by this same grace. Wild mercy is in our hands.” -Terry Tempest Williams, Refuge.
This painting came through me very quickly on one hand just prior to my move but I have long been drawn to the tragic story of the Passenger Pigeon. With a population between 3-5 billion, it was the most abundant bird in North America. Flocks would darken the sky for days as they flew overhead. Yet human exploitation drove this species to extinction over the course of a few decades. “Martha” the last Passenger Pigeon died in 1914. Originating in Scotland, the cairn or stacked stones, implies a funereal monument and in the lower left corner, the extinction symbol. Created by a London artist Xylo: “The circle signifies the planet, while the hourglass inside serves as a warning that time is rapidly running out for many species” during what is now being defined in our time as the Sixth Mass Extinction of Species.
The demise of the Passenger Pigeon is also an urgent message around our own vulnerability in the face of ecological degradation including climate change. “How might we act with restraint” to quote Williams? And how do we navigate these changing times? And with grace?
While speaking at the Parliament of the World’s Religions in November, indigenous elder Jim Dumont, of the Anishinabeck Nation, encouraged us to “Speak for the plants. Speak for the creation. Speak to the conscience of those who are destroying them.” This was affirming of my work and deeply moving. I wept. Art plays an important role not only in communicating a message/vision but, as most of you know, the process itself offers healing and a spiritual practice for resilience during troubled times. Even something as simple as coloring, drumming, planting flowers, or the latest ZenTangle can have enormous benefits for your well being and stress level.
I am settling into the new home and studio here in the Panther Branch Township (in Raleigh NC) and will share more next month. You can always check out Facebook, Twitter, or Instagram for updates between newsletters. As always, I welcome your thoughts.
For love of the EARTH!
Nice group of people showed up for my art opening last Friday at Karuna Contemplative Living. Thank you friends. Here with the owner, Anandi, and art enthusiast Mark. The show will be up through the end of May.
I chose these particular paintings for this exhibit because they embody the overarching message that weaves throughout my work. That we as a species must reclaim ancestral ways of being in sacred, reciprocal relationship with the earth if we are to ensure a livable planet for future generations and the survival of all species.
This was the inspiration for Resurrection: Holy mother earth with the seed of life nestled in the heart of the web of life. Our current paradigm is cracking open. Transformation, symbolized by the endangered monarch butterflies, is assured. To maintain life on earth, we need the resurrection of indigenous and ancient ways of knowing. Can we remember that we breathe with trees? That everything comes from the Earth?
Indigenous leaders and teachers like Chief Arvol Lookhorse and Robin Wall Kimmerer are telling us that we are at a crossroads. All Nations Tree of Life was inspired during a Lummi Nation ceremony and later reiterated by Chief Arvol Lookinghorse during the indigenous plenary at the Parliament of the World’s Religions in 2015. I wept through the entire three-hour session. Their message—red, yellow, black, white—we are all one people. “We must join together as a spiritual community in order to heal Mother Earth.” And again, reading Kimmerer’s inspirational book Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Her sacred text was the inspiration for the Reciprocity mandala. She writes: “The path is lined with all the world’s people, in all colors of the medicine wheel—red, white, black, yellow—who understand the choice ahead, who share a vision of respect and reciprocity, of fellowship with the more-than-human world. Men with fire, women with water, to reestablish balance, to renew the world.”
The question is: Are we listening?
My work is a contribution and a prayer toward this transformative vision.
I haven’t disappeared my friends but after five months of events, I am back in the studio working. This summer, my intention is to get as far as I can on completing the “Where We Stand is Holy” series that began with “Lauds: Prayer for the Birds.” Shown here are details from “Sext: Prayer for the Desert.” Desert Tortoise, Sage Grouse, and Black-chinned Hummingbird. There are efforts to list the Sage Grouse as endangered species but much resistance from the oil/gas lobbyists as it would impact exploration and extraction in the SW.
“Sext: Prayer for the Desert” is nearly complete. I am also in various stages with Vespers (water) and Compline (mammals). These paintings inspired by illuminated manuscripts shine a light on endangered species as well as the beauty of those wild places under siege by oil/gas extraction, plastics in the ocean, and climate change. I’m envisioning these panels to be part of larger installation and will share more as that develops. In the meantime, I am offering limited-edition art prints with a percentage of your purchase benefiting organizations working to protect our creatures and wild places. Shop here: http://sacredartstudio.net/product-category/prints/
Memento Mori is the Medieval Latin theory and practice of reflection on mortality.
This installation creates space to make visible what is invisible. To question: What are we willing to “see” and acknowledge? Do we veil ourselves to mask feelings of despair around the truth of a changing world including climate change and species extinction? Do we have the courage to bear witness to the beauty of our world, to break open our hearts for what we are losing, and be inspired to take actions to protect life on earth?
Much of what is now threatened by the ecological crisis isn’t visible to the human eye such as plankton, microscopic organisms that float on the surface of our oceans. Plankton comes from the Greek planktos meaning wandering or drifting. The neon-colored phytoplankton are responsible for half of the carbon dioxide that is naturally removed from the atmosphere. As well as being vital to climate control, phytoplankton produces as much oxygen as all the forests and terrestrial plants combined. However, some scientists argue that we have lost 40% over the past 60 years. What now? New research also illustrates the staggering amount of plastic being ingested by zooplankton, the foundation of our marine food chain. On average, we are losing 200 species per day.
Our grief is born of love and by allowing ourselves to feel our despair, we also discover gratitude for the miracle of life. With this exhibit, we are able to “see” that our very existence is intricately linked to the health of plankton and our oceans, both of which are currently under stress from our current way of life. Seeing the fragile beauty of these organisms, we recognize our innate interconnectedness in the web of life and respond with actions to slow the damage.
There is hope. I believe we each have the power to make a difference in our day-to-day lives—economically, politically, and in our consumer choices. I also believe in the power of human creativity and that each one of us has a gift to offer our world in service to other beings and to the earth. I invite you to find that one thing that breaks open your heart and that inspires you to, in the word of Gandhi, “be the change that you wish to see in the world.”
Profound gratitude to Christian Sardet and The Macronauts, Plankton Chronicles project for permission to use their photography for this project. planktonchronicles.org
“All Nations Tree of Life” final along with several sketches in my book as I worked through this concept inspired by the wisdom of our indigenous brothers and sisters after attending a Lummi Nation ceremony (During UU Conference at Oregon Convention Center) and the indigenous plenary at the Parliament of the World’s Religions last year. Their message: red, yellow, black, or white–we are all one people (symbolized by the medicine wheel in the heart of the tree). “All Nations. All Faiths. One Prayer” to quote Chief Arvol Lookinghorse, the 19th Generation Keeper of the Sacred White Buffalo Calf Pipe. We are at a crossroads and must join together in order to heal Mother Earth and all her creatures, including we two-leggeds. DNA, or deoxyribonucleic acid, is the hereditary material in humans and almost all other organisms. Nearly every cell in a person’s body has the same DNA. Here, DNA weaves throughout the roots of this sacred tree, connecting us as a people even when we aren’t able to see this deeply innate interdependence in daily life.
From my October newsletter:
I returned home from the Parliament of World Religions in Salt Lake City a week ago but my heart is still in Utah with the 10,0000 people who attended the Parliament. Ten thousand men, women, and children/youth from 80 countries and 50 faith traditions ranging from indigenous, goddess, pagan, Jewish, Christian, Muslim, Sikh, Jain, B’ahai, Buddhist, Hindu, artists, activists, priestesses, and healers. All in agreement to the holiness of our sacred container where love and compassion were generated in our honoring of diversity while recognizing the common threads of our shared humanity. I felt that I traveled the world in five days and found a home. A tribe. The theme this year was centered around “Reclaiming the Heart of Our Humanity.”
The Ute tribe of Utah welcomed us to their ancestral lands and our indigenous brothers and sisters lit a sacred fire that burned throughout the Parliament. There was much praying, chanting, singing, dancing, a Cosmic Mass, and ceremonies but many tears were shed as well as we listened and bore witness to the numerous crises of our time. Religious extremism, social and economic inequality, climate change, and the rights of women and indigenous peoples.
The message was clear, people of faith (wouldn’t that be all of us?) have a moral obligation to step up and take action. Every plenary, every talk I attended addressed the urgency of this critical time and that we each have a role to play. Large and small. It was affirming of my work as a sacred artist and activist and returned energized to continue my mission in service to Mother Earth and all beings that began a decade ago.
What is calling you during this evolutionary time?
There were so many powerful moments and presenters, many whose work I have followed for years including Vandana Shiva, Terry Tempest Williams, Jean Shinoda Bolen, Marianne Williamson, Karen Armstrong, Jane Goodall, and the Dali Lama who spoke to us via satellite. The indigenous plenary was one of the most profound and moving. An elder from Greenland told us that the ice is melting and there is nothing we can do about it. He was looking for the one hope for future generations. I don’t know that I can ever forget his wailing song to the ancestors who we will need if we are to survive the future.
It is a good time with Sawhain (Halloween) this week to honor and welcome back your ancestors.
Our time together was an urgent call but it was surprisingly filled with hope. So many people on the ground doing the Great Work for other beings, human and non-human, and our beloved Mother Earth, Gaia, Pachamama.
I’ve been working on this new painting since my return. Our fragile world is cracking and transformation is assured. What will our world look like in 20 years? What part are you playing or will play in this Great Turning? “Finding beauty in a broken world is creating beauty in the world we find.” -Terry Tempest Williams.
As always, I welcome your thoughts.
For love of the EARTH!