New Year. New Decade. New beginnings. Holding this as I navigate darker feelings than usual around the state of our world, and Mother Earth. The fires in Australia. The loss of species. I know we’re all feeling the intensity of these troubled times. Art and beauty save me daily but it’s been a struggle. How about you?
|Vespers is the evening prayer of thanksgiving and praise in the Liturgy of the Hours. This was the most challenging painting for the “Where We Stand is Holy” installation as every body of water and her creatures are threatened. It was difficult to discern what to include: dolphins, sharks, blue fin tuna? The list is endless. Inspired by an interview I heard with world-reknowned marine biologist Sylvia Earle who spoke of the profound beauty when she started diving and given that our coral reefs are in crisis, I included many of the beautiful fish that call these underwater lungs home. |
The figure became Aphrodite who was born of the sea. Doves, the scallop shell, and pearl are some of her sacred symbols. And the chalice at the center, signifies the holiness of water that is used in every spiritual tradition for liturgical ritual. Water is life. Water is sacred.
Thank you for following along on this journey that began many years ago. After the first two panels were complete, I placed it on hold while I cared for my elderly father and made the transition back to the East coast. It felt like an overwhelming vision when I began and grateful to Spirit for guiding my hand.
Trust is an important aspect of the creative process!
Working on the rest of the pieces for the installation that will create a temple space to celebrate the sanctity and beauty of the creation and to grieve what is being lost. Sending prayers to those in California who are affected by the recent wildfires. May all beings be safe.
With love and gratitude,
|In Praise of Water |
Let us bless the grace of water:
The imagination of the primeval ocean
Where the first forms of life stirred
And emerged to dress the vacant earth
With warm quilts of color.
The well whose liquid root worked
Through the long night of clay,
Trusting ahead of itself openings
That would yet yield to its yearning
Until at last it arises in the desire of light
To discover the pure quiver of itself
Flowing crystal clear and free
Through delighted emptiness.
The courage of a river to continue belief
In the slow fall of ground,
Always falling farther
Toward the unseen ocean.
The river does what words would love,
Keeping its appearance
By insisting on disappearance;
Its only life surrendered
To the event of pilgrimage,
Carrying the origin to the end,
Seldom pushing or straining,
Keeping itself to itself
Everywhere all along its flow,
All at one with its sinuous mind,
An utter rhythm, never awkward,
It continues to swirl
Through all unlikeness,
A ceaseless traverse of presence
Soothing on each side
The stilled fields,
Sounding out its journey,
Raising up a buried music
Where the silence of time
Becomes almost audible.
Tides stirred by the eros of the moon
Draw from that permanent restlessness
Perfect waves that languidly rise
And pleat in gradual forms of aquamarine
To offer every last tear of delight
At the altar of stillness inland.
And the rain in the night, driven
By the loneliness of the wind
To perforate the darkness,
As though some air pocket might open
To release the perfume of the lost day
And salvage some memory
From its forsaken turbulence
And drop its weight of longing
Into the earth, and anchor.
Let us bless the humility of water,
Always willing to take the shape
Of whatever otherness holds it,
The buoyancy of water
Stronger than the deadening,
Downward drag of gravity,The innocence of water,
Flowing forth, without thought
Of what awaits it,The refreshment of water,
Dissolving the crystals of thirst.
Water: voice of grief,
Cry of love,
In the flowing tear.
Water: vehicle and idiom
Of all the inner voyaging
That keeps us alive.
Blessed be water,
Our first mother.
~ John O’Donohue
“Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth’s treasures and the grinding down of the poor and marginal… To hope is to give yourself to the future – and that commitment to the future is what makes the present inhabitable.” -Rebecca Solnit, Hope in the Dark
Solnit’s book has become my manifesto during these troubled times. This week here in the U.S. has been particularly grievous with two mass shootings grounded in racism and misogyny further dividing our country. I send out love and a breathe of solidarity to all feeling the heartbreak of this trauma.
If you have been following my work, you know how deeply I believe in our fundamental interconnectedness and oneness with all beings including the more-than-human world. In my grief and outrage, it would be easier to just give up and the last few days have tested my faith in the healing power of art. At the same time, I have continue to show up in the morning and paint my heart on the canvas. What else am I to do, I ask?
I also agree with one of my spiritual teachers, Marianne Williamson, who is running for President. The forces of hatred are so strong that we must LOVE with the same (or more) intensity and conviction. Love of self, love of the neighbor & stranger, love of beauty, love of mother earth.
I don’t know how Julian of Norwich (who inspired the painting above), who lived as an anchoress during the Black Death in Europe, was able to say: “All shall be well, and all shall be well and all manner of thing shall be well” but it helps to remember that there have been other dark periods in our human history. And that art and beauty have likewise prevailed. Will you join me in this revolutionary love?
If you would like to support this ministry, you can purchase prints, posters, blankets, and note cards at my online store.
With love and gratitude,
My 92 year old father fell and broke his hip in December. It has been a wild journey in moving him from the hospital, to rehab, and now to assisted living. For any of you who have walked this path with your elders, you know the intensity and time this takes. I have had some sweet moments in the studio, working on various projects including sketches for the interfaith prayer room at a local hospital. I continue to believe in the power of art and beauty to heal our hearts and our world even amidst the insanity of what is unfolding in our country.
I will return soon with more offerings, art, poetry, and inspiration!
In our sleep,
pain which cannot forget
falls drop by drop upon the heart
until, in our own despair,
against our will,
through the awful grace
I painted this mandala in 2006 while attending graduate school and studying the world’s religions. It was profound to be discovering all the threads of interconnections that we share in common. Any of you who have been following my work know how profoundly I believe in this truth. If we could only take the time to really study our own religion and that of other faiths, perhaps humanity might come to find peace. This is my hope and my vision for our world.
This stain glass inspired mandala began with the hand in the center. The hamsa hand (Arabic) or hamesh hand (Hebrew) is a symbol of protection and a popular icon throughout the Middle East and N. Africa. The words hamsa and hamesh mean “five” and refer to the digits on the hand and is also referred to as the Hand of Fatima (Islam), Hand of Miriam (Judaism), and the Hand of Mary (Christianity). Represented here are also the four elements—tree/earth, fish/water, dove/air, and snake/fire—sacred symbols that appear throughout our religious texts. Bound together by the elements, the cycles of the moon and the seasons, the message here is that no matter what faith we choose or inherit, we are all interconnected in the web of creation. We are one. The calligraphy translates as peace—Shalom in Hebrew, Shanti in Sanskrit, Salam in Arabic.
You can purchase small posters of this painting here.
Mihrab Tree of Life ©Amy Livingstone
Like many of you, I have been in deep grief this past week with the results of the election. I believe it is necessary to allow time to mourn and then we must move towards action, and soon. Love must trump hate. For love of all beings regardless of race, religion, sexual orientation, or gender. For love of the earth and for love of country. During the recent Parliament of World Religions NW event, I spoke with Harris Zafar of the Ahmadiyya Muslim Community. I asked him: “How can we support our Muslim brothers and sisters if we have a Trump presidency?” His response was that we all need to have the courage to stand up and speak out. To overcome fear and stand together as one. From 12th c Sufi mystic Ibn Arabi: “My heart has become capable of every form: it is a pasture for gazelles and a convent for Christian monks, a temple for idols, and a Ka’ba for the pilgrims; it is a tablet of the Torah, and the book of the Koran. I profess the religion of Love, and whatever direction its steed may take, Love is my religion and my faith.” And in the words of Hillary Clinton: “Never stop believing that fighting for what’s right is worth it.”
Art: “Mihrab Tree of Life,” ©Amy Livingstone, Sacred Art Studio
Inspired by the Islamic/Sufi tradition. Read more here http://sacredartstudio.net/mihrab-tree-of-life-sacred-geom…/
Challenging Hate Speech and Violence panel. From left: Shariff Abdullah
(Commonway Institute), Sat Hanuman Singh Khalsa (Sikh), Harris Zafar (Muslim),
Joanie Levine (Compassionate Listening/NVC), and Rev. David Alexander
(New Thought Center for Spiritual Living).
An inspiring day on Sunday (re)connecting with people from all faith traditions and activists working for social and ecological justice. It was one year ago that many of us gathered in Salt Lake City for the Parliament of World Religions and am feeling re-energized from being present for this gathering. Also honored to have my painting “All Nations Tree of Life” grace the cover of the program and share my work with this community. The three panel discussions were around Climate Change (forgot to take a photo!), Indigenous Wisdom, and Challenging Hate Speech and Violence–all interrelated with the urgent call to shift collective consciousness from separation to unity/harmony. The day was closed with music and of course, dance. Bow of gratitude to all the presenters and organizers for this special event. For love of the earth and all beings.
Peace. Salam. Shalom.
From my September newsletter:
“A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us-like rock and sunlight and wind and wilderness-that ‘out there’ is a different world, older and greater and deeper by far than ours, a world which surrounds and sustains the little world of [wo]men as sea and sky surround and sustain a ship. The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.” -Edward Abbey, Desert Solitaire: A Season in the Wilderness
I love this from Ed Abbey and discovered it while reading his book over the summer during the final stages of “Sext: Prayer for the Desert” shown here.* Seems appropriate given the intention for this painting and the entire “Where We Stand is Holy” series. It has been quite a journey with this piece as I changed course a few times around what beings to include in the border. These texts by Meloy, Williams, and Abbey were inspirations for understanding the sensuousness of the desert landscape, not having spent much time there myself except Sedona briefly and New Mexico many years ago.
I definitely felt the holiness of these landscapes in the American Southwest and there is a long history from all our spiritual traditions of those who have undertaken a pilgrimage to the desert to seek out God, the numinous, or something “wholly other” to quote German theologian Rudolf Otto. Consider Moses, Jesus, and Muhammad from the Abrahamic traditions. Exodus 3:5: Yahweh to Moses: “Take off your sandals, for the place where you are standing is holy ground.”
In this painting, sego lily and cherry (Utah state flower and fruit), globemallow, and phlox are woven throughout with the creatures: raven, black-chinned hummingbird, collared lizard, desert tortoise, sage-grouse, prairie dog, not to mention the scorpion, honey bees, praying mantis, butterflies, and ants. All this beauty is under siege by oil/gas corporations who want to exploit this sacred landscape. This painting is a prayer but also feels like an elegy to me for that which we are losing. To learn more, visit Southern Utah Wilderness Alliance.
I also believe in the words of author and activist Alice Walker that “Anything We Love Can Be Saved.” If you read this and follow my work, you are a lover of mother earth and together I believe our love (and actions) can heal our world.
After taking a sabbatical last month, I’m pleased to share that my neck issues seem to have improved with physical therapy, yoga, stretching, and chiropractic care. This time has given me a new awareness of how fragile the inner landscape of our beings truly are. Taking breaks often from the technology is essential to our wellness. So, let’s take a break and go for a walk now…
For love of the earth,
*Sext, or Sixth Hour, is a fixed time of prayer of the Divine Office of almost all the traditional Christian liturgies. It consists mainly of psalms and is said at noon. Its name comes from Latin and refers to the sixth hour of the day after dawn.
I haven’t disappeared my friends but after five months of events, I am back in the studio working. This summer, my intention is to get as far as I can on completing the “Where We Stand is Holy” series that began with “Lauds: Prayer for the Birds.” Shown here are details from “Sext: Prayer for the Desert.” Desert Tortoise, Sage Grouse, and Black-chinned Hummingbird. There are efforts to list the Sage Grouse as endangered species but much resistance from the oil/gas lobbyists as it would impact exploration and extraction in the SW.
“Sext: Prayer for the Desert” is nearly complete. I am also in various stages with Vespers (water) and Compline (mammals). These paintings inspired by illuminated manuscripts shine a light on endangered species as well as the beauty of those wild places under siege by oil/gas extraction, plastics in the ocean, and climate change. I’m envisioning these panels to be part of larger installation and will share more as that develops. In the meantime, I am offering limited-edition art prints with a percentage of your purchase benefiting organizations working to protect our creatures and wild places. Shop here: http://sacredartstudio.net/product-category/prints/
I was reminded of her book again after finishing the painting shown here, “Resurrection.” Although most would associate the word or concept with the resurrection of Christ, I am using the word in context with the necessary and emerging return of the ancient paradigm associated with our indigenous ancestors and the Divine Feminine of the Goddess tradition, prior to the rise of patriarchy. Although I would also suggest that Christ is likewise an embodiment of the feminine with his original message of inclusivity and love for the neighbor and stranger.
From Amazon: “In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.”
Butterflies = transformation. Life. Death. Beauty. Preciousness of life. Bowie. Rickman. Frey. Levine. Icons and teachers. So breathing into the complexities of life and in my heart, and piecing together a mosaic of beauty in a broken world.
As always, I welcome your thoughts.
A blessed and wildly creative new year to you,