“Humanity stands at a crossroads between horror and hope. In choosing hope, we must seed a new consciousness, a radically fresh approach to life drawing its inspiration from perennial spiritual and moral insights, intuition and experience. We call this new awareness Interspiritual. . . the recovering of the shared mystic heart beating in the center of the world’s deepest spiritual traditions.” -Wayne Teasdale, “The Mystic Heart”
Created specifically for the Mile Hi exhibit, the “Unity Consciousness” mandala is inspired by the Science of Mind teachings of Ernest Holmes and his notion of the “Golden Thread of Truth” that recognizes that thread of connection between all our spiritual traditions. No matter what faith we choose or inherit, including science, we are all interconnected in the web of life. We are one with God, with the Other, and with all Creation symbolized by the cycles of the season. Colorado state animals shown here were my spirit guides during painting sessions. Learn more about Science of Mind here: https://tinyurl.com/y75x7udl
If you are in the Denver area, the show is up through the summer and closes on September 30. I will be on site June 24th and Septhember 30th from 8:30-2pm for the artist meet and greet.
These two recently completed paintings shown above ultimately became companion pieces to one another. Really self-portraits that speak to my own hope and prayer during these dark times. “Hope in the Dark” was originally inspired by 14th c mystic and theologian Julian of Norwich who lived during the time of the Black Death in Europe. You can see an early version of this painting from eight years ago here. While recovering energetically from caring for my father last year, I pulled this canvas out from a stack leaning against the wall and started re-working it and recalling her words throughout my process: “All shall be well, and all shall be well and all manner of thing shall be well” (Latin: Omnibus Bene Tibi Erit).
The title of the piece is also a nod to one of my favorite writers and historians Rebecca Solnit who wrote a book of the same title. She writes: “To hope is to gamble. It’s to bet on the future, on your desires, on the possibility that an open heart and uncertainty are better than gloom and safety. To hope is dangerous, and yet it is the opposite of fear, for to live is to risk.” Highly recommend reading this book especially for activists who are feeling ineffective at times.
“The Artist’s Prayer” also a prayer for peace among individuals and nations. The quote along the top reads:”Out beyond ideas of wrongdoing and rightdoing there is a field. I’ll meet you there.” -Rumi.
With so much at stake, our creativity in service to our world, to compassion, to love, to beauty, to oneness could not be more important. To hold out a light of hope and love….
Bow of gratitude to those who came to my opening at Karuna Contemplative earlier this month! Nice to reconnect with some old friends that I hadn’t seen in many years. The show will be up until the 26th. Now in preparation for my show at Mile Hi Church in Denver, Colorado. Readying myself for a long drive but it will be great to have my art further out in the world, touching hearts and minds with these sacred offerings. I’ll send out more information as I know some of you have friends in the area who may want to attend.
I will be bringing the nature mandala ceremony to the screening of artist/activist Chris Jordan’s Albatross on June 8th. It addresses the crisis of plastics in the ocean through the lens of the magnificent Albatross on Midway Island in the Pacific. Sure to break open the heart. I’ll send more information out as we approach.
As always, I welcome your thoughts.
Nice group of people showed up for my art opening last Friday at Karuna Contemplative Living. Thank you friends. Here with the owner, Anandi, and art enthusiast Mark. The show will be up through the end of May.
I chose these particular paintings for this exhibit because they embody the overarching message that weaves throughout my work. That we as a species must reclaim ancestral ways of being in sacred, reciprocal relationship with the earth if we are to ensure a livable planet for future generations and the survival of all species.
This was the inspiration for Resurrection: Holy mother earth with the seed of life nestled in the heart of the web of life. Our current paradigm is cracking open. Transformation, symbolized by the endangered monarch butterflies, is assured. To maintain life on earth, we need the resurrection of indigenous and ancient ways of knowing. Can we remember that we breathe with trees? That everything comes from the Earth?
Indigenous leaders and teachers like Chief Arvol Lookhorse and Robin Wall Kimmerer are telling us that we are at a crossroads. All Nations Tree of Life was inspired during a Lummi Nation ceremony and later reiterated by Chief Arvol Lookinghorse during the indigenous plenary at the Parliament of the World’s Religions in 2015. I wept through the entire three-hour session. Their message—red, yellow, black, white—we are all one people. “We must join together as a spiritual community in order to heal Mother Earth.” And again, reading Kimmerer’s inspirational book Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Her sacred text was the inspiration for the Reciprocity mandala. She writes: “The path is lined with all the world’s people, in all colors of the medicine wheel—red, white, black, yellow—who understand the choice ahead, who share a vision of respect and reciprocity, of fellowship with the more-than-human world. Men with fire, women with water, to reestablish balance, to renew the world.”
The question is: Are we listening?
My work is a contribution and a prayer toward this transformative vision.
Divinity and the universe seem deeply biased in favor
of the future. Both celebrate emergence.
Call it: Resurrection. Call it: New Life or New Creation.
Call it: Evolution or Creativity. I believe in the future
and the possibilities of hope.
-Theologian Matthew Fox, founder of Creation Spirituality.
I discovered this quote after I completed “Resurrection” seen here above and it felt so appropriate to the vision behind this painting: Holy mother earth with the seed of life nestled in the heart of the web of life. Our current paradigm is cracking open. Transformation, symbolized by the monarch butterflies, is assured. To maintain life on earth, we need the return or “resurrection” of ancient ways of knowing associated with indigenous and ancestral wisdom, for living in harmony with the earth.
Fox’s message fills me with hope and possibility at a time of deep division and uncertainty in our country, in our world. Art has that power, too. Hope.
I’ve been researching options for people to collect my work in more affordable ways. Art blankets have been something I’ve considered for awhile. Popular in the visionary arts community, they’re great to take to any festival, camping, or to snuggle up with at home. Spread the beauty.
These soft and cozy blankets are woven with 100% cotton. 60% of which is recycled cotton. Made in the USA. $85 plus shipping. (If you’re in the Portland area, I could arrange for delivery.) I’m taking pre-orders here.
I’m also thrilled to share with you that Robin Wall Kimmerer, author of Braiding Sweetgrass loved the Reciprocity Mandala. She wrote:
“I have to tell you that I just cried when I saw your painting. I feel my dear ones from Braiding Sweetgrass, so very much alive here, so loved. It is so whole. The love and the grief…the glimpse of salamanders, the radiance of goldenrod and asters….This is really magnificent and I am so touched by your creation. This is our work, together-to reciprocate the beauty of the world with beauty of our own. I am so grateful.”
I’m so deeply touched. And in spite of all the uncertainty, I am also grateful. For life, for spirit. For the beauty of our world. Where are you creating beauty today?
When I was considering graduate school in 2003, I contemplated whether to pursue a Masters in Fine Art, a Masters in Art Therapy, or the program that I eventually ended up choosing which was an Interdisciplinary Masters in Spiritual Traditions & Ethics. I had completed undergraduate work in fine arts in my youth and had been painting and sculpting “on the side” over the years while working as a graphic designer. This was before I answered my soul calling to work professionally as an artist in 2001. An MFA might have given me the opportunity to teach in an academic setting but not necessarily. I also wasn’t interested in the mainstream gallery scene. I had recently returned from a 10-training with environmentalist Joanna Macy and was studying the teachings of Matthew Fox’s Creation Spirituality. My vision was to use my art in service to the healing of the earth. I wasn’t seeing much of that in museums or galleries though that has changed over the years with greater awareness of climate change and the ecological crisis overall.
After the deaths of my brother and mother, and relocating to Portland in 1993, I had begun prerequisites for a Masters in Art Therapy (this is how I came to sculpture originally!). Through my own grieving process, I wanted more meaningful work and to support others in their grief. I’d had a successful design career but while doing the prerequisites, I realized that I was still too raw to hold space for others as a therapist and instead found my way to the Dougy Center, a center for grieving children and families. I was a volunteer grief facilitator there for eight years and can say that those were some of the most meaningful and healing years for myself and for all those who passed through their doors. My workshops evolved out of this same desire to support others in their healing journeys.
Fast forward to 2003. At the time, I was in a writing group working on “my story” around the deaths, the spiritual awakening that occurred over those dark years, and the mystical experience I had during the Macy Training. This became my writing sample for the graduate program and was published in Alternatives Magazine. People around me thought I was crazy. They’d ask incredulously: “What are you going to do with that degree?” But I listened to my inner voice and knew this was where I was called to be. I had just founded Sacred Art Studio and wanted to study religion. I wanted to understand how humanity had become so disconnected from the natural world that we were willing to destroy the land base on which all life was dependent. I was also an avid student of art history since undergrad days and already knew of the connections between faith and art. I didn’t know exactly where my work or my life was going but I needed to trust in my vision. And so I began graduate school in the fall of 2004 and graduated with honors in 2007.
Over these past 11 years, my art and spiritual path have been informed by these studies and my intention remains the same: to communicate the sacredness of the creation, to inspire a deep reverence for the earth, and with a hope to spark actions that protect the holiness of this place we all call home. It hasn’t always been a lucrative path financially but it is a meaningful life and I live simply. I have also been having fun designing books, often for first time authors who are self-publishing. This feeds my wild love of books and desire to serve others in their creative gifts.
Recently, I was thrilled to discover a wonderful book that validated this calling. “Art Lessons” by Deborah Haynes, an artist and academic based in Colorado who likewise has studied religion and the arts. She speaks to what I have already expressed: “A theology of the arts is based on the conviction that the artist has a personal calling, a vocation, to interpret the dilemmas we face, thereby giving voice to hopes and fears, experiences and dreams. In doing this, a theology of the arts is also oriented to this world, to the present as it moves inexorably toward the future. And, it is active: It urges engagement and commitment to the world in order to bring about political, social, and cultural transformation.”
A couple of new works in progress. “Sacred Text” (working title) and a painting that originally started many years ago as 14th c mystic and visionary icon Julian of Norwich who spoke radically of Christ as Mother, as the nurturing and loving presence of God.” She wrote, “All shall be well, all shall be well…For there is a force of love moving through the universe that holds us fast and will never let us go.” May it be so.
I hope the start of this New Year brings you good health and joy. There seems to be a renewed energy of hope at this moment after what seemed like a year of holding our collective breaths. We’re still here though too many beloveds have departed this realm, but I remain grateful for all who are holding the light these days. As indigenous teacher and scientist Robin Wall Kimmerer writes:
“The path is lined with all the world’s people, in all colors of the medicine wheel-red, white, black, yellow-who understand the choice ahead, who share a vision of respect and reciprocity, of fellowship with the more-than-human world. Men with fire, women with water, to reestablish balance, to renew the world. “
May it be so. This quote comes towards the end of Kimmerer’s brilliant hymnal to the Earth, “Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants.” There is abundant wisdom and rich imagery in her book and with only so much space to work with, I simply allowed the species of each plant and animal to guide me. Salmon, heron, ambystoma maculata (salamander), three sisters, aster and goldenrod, medicine plants, etc…Through this co-creative journey, I feel an even deeper kinship with all these beings.
I hear the call from our indigenous brothers and sisters about the need for all of us to unite as a spiritual community to heal the earth. This was also the inspiration, for those new to my work, for the “All Nations Tree of Life” shown below. I/we are seeing this happen within many communities even though it may not be visible in mainstream media.
In closing, from Braiding Sweetgrass: “The moral covenant of reciprocity calls us to honor our responsibility for all we have been given, for all that we have taken. It’s our turn now, long overdue. Let us hold a giveaway for Mother Earth, spread our blanks out for her and pile them high with gifts of our own making. . . . Gifts of mind, hands, heart, voice, and vision all offered up on behalf of the earth. Whatever our gift, we are called to give it and to dance for the renewal of the world. . . . In return for the privilege of breath.”
What is your gift? Would love to hear from you!
For love of the Earth!
From my December newsletter:
Happy Solstice & Holydays
To those of us in the Northern Hemisphere today marks the beginning of winter. My/our Celtic and Scandinavian ancestors had rituals to welcome the return of the light during this darkest of days. And it’s no coincidence that Hanukkah and Christmas fall around the Winter Solstice both of which celebrate the light. In the Jewish faith, it was a vessel of oil that was meant to burn for one day, and lasted for eight, symbolized by the lighting of the menorah. And for those of the Christian faith, a little bundle of hope born into a time of darkness.
I was pulling runes, a Nordic divination system, when working on the mandala below. When drawing ISA (I) the guidance is to stop and go within. It announces a time of restoration and renewal at the deepest level. I’m entering this space as we approach the year’s end and embracing the stillness after two Christmas seasons in the hospital with my father, who departed this realm last month.
|“Eve” from “Lovers of Creation” Triptych, ©Amy Livingstone|
I bow to all mothers on this day. . . past present and future and for all of those (women and men) who are nurturing the Divine Feminine into being. I gave this talk five years ago and am sharing again with you today.
Nurturing the Divine Feminine into Being
Abundant Life Center, Vancouver, WA
Mother’s Day. May 13, 2012
Happy Mother’s Day. It’s fitting that that the talk today is on the Divine Feminine. A day when we honor, celebrate, and remember mothers. What better symbol of the divine feminine than that of the mother. She who nurtures a new life into being. Who BIRTHS…FEEDS from her own body, LOVES, and NURTURES the soul of a child into adulthood. From the late Irish philosopher and poet, John O’Donohue
Your voice learning to soothe
Your new child
Was the first home-sound
We heard before we could see.
Your young eyes
Gazing on us
Was the first mirror
Where we glimpsed
What to be seen
Your nearness tilled the air,
An umbilical garden for all the seeds
Of thought that stirred in our infant hearts.
You nurtured and fostered this space
To root all our quietly gathering intensity
That could grow nowhere else.
Formed from the depths beneath your heart,
You know us from the inside out.
No deeds or seas or others
Could ever erase that.
Mother…. Symbol of LOVE. For me, this is the heart of the Divine Feminine. Remembering and nurturing the Divine Feminine into being is a journey from head-to-heart. From hatred to love. From power over to power with. From meaningless consumption to a renewed sense of reverence for life and beauty. This will require a radical shift in consciousness to a new way of being in relationship to each other and our world….to the Earth.
There’s a lot being written about the Divine Feminine these days. One of the many voices contributing to this conversation, is spiritual teacher Andrew Harvey. He writes: “The Divine Feminine is initiating a crucial new phase in our evolution: urging us to discover a new ethic of responsibility toward the planet; bringing us a new vision of the sacredness and unity of life.” I believe that without THIS vision…this evolution…our planet remains in peril, and our very survival is at risk. Most of us know that we are facing ecological, economic and social crises around the world. Climate change, species extinction, threats of nuclear war, toxic food sources, and the list goes on. Social thinker David Korten, calls this the ‘great unraveling.’
What we are experiencing is the result of a dominant masculine paradigm, that emerged alongside the rise of monotheistic religions that placed one male God in a position of authority over all humanity and creation. Attempting to extinguish the Goddess in all her incarnations, the Abrahamic traditions—Judaism, Christianity, and Islam suppressed the feminine and subjected women to an inferior position beginning with our first archetypal Mother, Eve. However, what I have discovered through my own spiritual explorations and graduate studies in religion is the way in which these original sacred texts have been subjectively interpreted over the millennia to serve those in power.
For example, the Creation story is believed to have been written during and after the Israelite’s exile in Babylon (what is Iraq today). The ancient creation myths—Enuma Elish and Gilgamesh—were part of the oral tradition in that region. Theologians believe that in an attempt to understand the source of their own suffering and place in the cosmos, the early writers of the Torah borrowed from these ancient myths to write their own story of origin. Therefore, the notion that we are born into original sin, as we have been indoctrinated to believe in Christianity, was not the intention behind the Garden of Eden story. Those of the Jewish faith don’t believe they are born into original sin but original goodness. But without the notion of the Fall and original sin, what is the role of Christ as redeemer?
What is the role of the Catholic Church? For me, Christ’s message of love, service, compassion, inclusivity, and a willingness to challenge the military authority of his time, is a beautiful example of the Divine Feminine in practice. Love. Compassion. Inclusiveness. Unity…all lie at the heart of the Divine Feminine. What has excited me in researching these sacred texts, is that we also have the opportunity to rethink, and reinterpret, scriptures in a way that is reflective of our own time…and in support of a more progressive spirituality that IS inclusive.
Although most of our religious traditions have worshiped male deities over the millennia—Yahweh, Christ, Allah, Buddha, Krishna, etc., the feminine face of god has existed alongside them all along and are now becoming more recognized and gaining in popularity…certainly in the West where the Judeo-Christian tradition has been dominant in our culture. Women and men are seeking out alternatives to traditional religions that are more inclusive and less dogmatic.
• In Judaism, and the mystical teachings of Kabbalah, Shekinah is the feminine divine presence.
• In Christianity, Mother Mary, Mary Magdalene, and also Eve as first Mother, are all now being honored as representatives of the divine feminine
• In Islam and Sufism, Fatima, wife to the Prophet Mohammed, and the Beloved
• In Buddhism, Kuan Yin, Goddess of Compassion, is worshipped all over world including the United States.
• In Hinduism, there are 330 million gods and goddesses. Although Brahma, Shiva, and Vishnu are the three primary male deities, in the pantheon of goddesses, Shakti, Saraswati, Lakshmi, Kali, Durga to name a few all represents aspects of the divine feminine.
• Of course, there is also a whole pantheon of Greek and Roman goddesses, so we are not lacking for images that represent the feminine face of god but we are now at a point in history where the recognition of their own Divinity can support us in bringing back into balance the masculine and feminine energies. We need the masculine as much as the feminine but as we have experienced the scale has been tipped too far towards the masculine–causing wars and ecological degradation around the world. This is why it is so important to nurture the divine feminine into being.
Outside of these religious traditions there has also been, since the feminist movement of the 70s, the revival of the most ancient goddess of all…that of Gaia. Mother Earth. What our indigenous brothers and sisters have always known, is that the Earth is our first Mother. The embodiment of the divine feminine, she is the giver of life. Sustainer of life and worthy of our reverence and devotion. Unfortunately, this hasn’t always been the case given the first commandment to have no other gods than the one god of the Abrahamic traditions.
And there are those who strongly hold to their beliefs that those who honor the Earth are pagan, devil-worshippers, and will go to some version of hell. It’s part of the conversation, too, but I feel hopefully that many of our religious leaders are now embracing and encouraging good stewardship of the Creation among their followers. Through a number of mystical experiences, I have come to a deep awareness that no matter who or what we worship (be it a god, goddess, or science)—we are all interconnected and we are all of the Earth.
I want to mindful of not painting an idealized portrait of the Divine Feminine. Love may be the heart of the divine feminine. And yes, a mother’s love is tender and nurturing but it is also a fierce love. This is the marriage of light and shadow. The Goddess, as Gaia, is a giver and sustainer of life, but she is also the destroyer of life as we have been witness to in the large-scale natural disasters that have become more prevalent. And all of you who are mothers know you would protect your young at all costs.
When Marianne Williamson speaks she often uses the story of the hyena mother who guards against the rest of the den of hyenas until all her young are fed. In her analysis, females are anthropologically wired to protect their young. For me, the emergent Divine Feminine is likewise asking that we harness both the tender love and fierce love to awaken, heal, and transform our world from one that is unsustainable to one that is life-sustaining—where our children are fed and bombs are no longer necessary.
We now know that the Divine Feminine has been present throughout history but how do we nurture it fully into being? Through us? How do we mid-wife this new era into consciousness? As I stated in the opening, this is a journey from the head to the heart for all of us—men and women. What I’ve learned is that it requires us to break open our hearts to each other and our world. To compassion. To love. To Oneness. Those attributes of the Divine Feminine.
I know what it feels like to have my heart broken wide open from my own experience through loss and grief when I was 30. Today is Mother’s Day and I’m thinking about my mother, Jane. She died unexpectedly 22 years ago. Nine months after my brother died from AIDS. It was a very dark time in my life but through my suffering, the dark night of the soul to quote St John of the Cross, I was able to open my heart to compassion for others, for all life. There were many gifts that came out of this period in my life for which am now grateful, though it was hell on earth for a time.
Breaking open our hearts doesn’t have to happen to so tragically, though it often does happen that way, doesn’t it? But let us not wait for a catastrophe to open or hearts to our world. In my workshops, the first step I offer on this journey of the heart is to slow down, take time for silence and stillness. Contemplation. Coming into awareness of the revelatory miracle of Creation. Mother Earth. There is so much beauty around us at any given moment, if we would we allow ourselves the time to simply BE. Beauty breaks open our heart. Think of a time when you became aware of this. ……
In “Urgent Message from Mother: Gather the Women, Save the World,” author and Jungian Jean Shinoda Bolen writes: “Seeing beauty, loving what is beautiful, and nurturing and sustaining it all go together. It is also the ability to sense or intuit potential beauty and, through love, encourage it into existence.” Sounds like the Divine Feminine to me.
Beauty is available to us everywhere even when we’re stuck in traffic. Last Saturday morning, I was crossing the Vancouver bridge to lead a workshop at the Unitarian. It was the first time in 19 years of living in Portland, that I got the bridge lift. Though concerned for a moment at being late, I just turned off my engine and sat, watching the birds play in the rafters above me. Listening to their bird song, I breathed deeply into the present moment. I had no control over the situation, so I just allowed everything to be as it was.
Allowing ourselves to be more present to life—being with both with the joy and the grief that may emerge when we finally step off the speeding train that is contemporary life—is key to breaking open our hearts and inviting in the Divine Feminine. I believe the most radical thing we can do is to slow down. In this way, we are better able to be present to beauty, to our feelings, to the people in our lives, to God, to bear witness to what is happening in our world and then take action from a place of LOVE.
As an artist, of course, one of the primary expressions for me to nurture the divine feminine into being is through my artwork. First, in the creation of clay sculptures, primarily of the feminine form, much like our ancestors who sculpted the goddess during the Neolithic period. For example, I’m currently completing a series of ceremonial sculptures that represent three seasons of a woman’s life—the Maiden, Mother, and Crone. Painting has been my primary medium since my teens and although at one time my work emerged out of the darkness and disappointment in my life, I now create sacred art that draws from the holy well of all spiritual traditions.
Today it is beauty that is my gateway to the Divine. Over the past year, I completed a large-scale, three-panel painting that re-visions the Garden of Eden narrative through an indigenous lens. The overarching theme for the piece became “the Garden is right here, right now.” Paradise is not in some unknowable future, but right here on this glorious planet…we need only remember the holiness of this place we call home. Bringing together symbolism from both the Genesis narrative and those of our earth-honoring ancestors, the painting is a visual scripture that reveals our innate interconnectedness in the web of Creation. Here, Adam and Eve representing the Divine Masculine and the Divine Feminine, reclaim their roles as stewards of Creation.
The creative process brings us into the present moment and I believe with all my heart, that we each have a creative gift to bring to the world what ever that may look like for you. I’m awed by people who make art in their kitchen. Fruits and vegetables are so gorgeous. Creativity is our sacred inheritance. As we are born into a creative universe, so we are all co-creators in our evolutionary history. To quote theologian and founder of Creation Spirituality, Matthew Fox:
To allow creativity its appropriate place in our lives and our culture, our education and our family relationships, is to allow healing to happen at a profound level. The intimacy of creativity corresponds to the mystical experience itself. Mysticism bespeaks union, and there is an ongoing union of us and the Divine (Feminine) precisely during the process of giving birth in any form whatsoever.”
Creating life, being a mother… a parent….is one of the most creative acts a human being can undertake. And I bow to you all on this Mother’s Day. Our indigenous teachers say this is the remembering time. A time to remember our relationship to the Earth, our first Mother… that we are all interconnected in the web of life. I also believe it’s a time for remembering your innate creativity in whatever form that may take to serve the healing of our own hearts…our families…our world.
We may be living amidst the great unraveling according to David Korten, but in the words of my teacher, environmentalist Joanna Macy, we are also in the midst of the Great Turning. This is a time of great transformation foretold by many ancient prophecies when the divine feminine and masculine will come into balance again after a period of near extinction and initiate a new phase of evolution ushering in a renewed vision that honors the sacredness of all life on Earth. May it be so.
In closing, a poem that speaks to me of the emerging Divine Feminine:
Beauty is the Messenger
Beauty is the messenger
Calling love out from forgotten places
Hidden by worry and fear,
And misplaced under the illusion of scarcity.
War, pain and conflict are all too evident
Between border towns, strangers and commuters.
But LOVE grows exponentially faster.
It IS the speed of light.
So, kindness reaches its destination
Infinitely faster than the time it takes
For the heaviness of cruelty
To chafe across toughened skin.
Beauty is the messenger
Waking up the sense of wonder,
Rounding up our wholeness into connection beyond ourselves
And increasing our capacity for limitless love.
Beauty is the messenger
Proving the incompatibility
Of splendor and malice;
Showing simply by example…
What is possible.
May all beings know peace. May all beings be loved.
I painted this mandala in 2006 while attending graduate school and studying the world’s religions. It was profound to be discovering all the threads of interconnections that we share in common. Any of you who have been following my work know how profoundly I believe in this truth. If we could only take the time to really study our own religion and that of other faiths, perhaps humanity might come to find peace. This is my hope and my vision for our world.
This stain glass inspired mandala began with the hand in the center. The hamsa hand (Arabic) or hamesh hand (Hebrew) is a symbol of protection and a popular icon throughout the Middle East and N. Africa. The words hamsa and hamesh mean “five” and refer to the digits on the hand and is also referred to as the Hand of Fatima (Islam), Hand of Miriam (Judaism), and the Hand of Mary (Christianity). Represented here are also the four elements—tree/earth, fish/water, dove/air, and snake/fire—sacred symbols that appear throughout our religious texts. Bound together by the elements, the cycles of the moon and the seasons, the message here is that no matter what faith we choose or inherit, we are all interconnected in the web of creation. We are one. The calligraphy translates as peace—Shalom in Hebrew, Shanti in Sanskrit, Salam in Arabic.
You can purchase small posters of this painting here.
The journey continues and art is more important now than ever.
“To those of you who, so far, thinking that this article doesn’t pertain to you because you don’t consider yourself to be a part of the art world, please hear me: You are even more essential to the arts than the rest of us. You are the audience. You are, quite literally, our reason for being. So, please, after you’ve taken to the streets, take to the galleries and museums. In our city, where 42 percent of the population is without religious affiliation, these institutions are our houses of worship. They connect us with something greater than ourselves. They offer the comfort and solace of beauty, and provide endless examples of what the human hand can do when it is guided by the heart.” -Jennifer Rabin, Willamette Week
I was heartened by this recent article in our local indie newspaper about the importance of art in our lives. And the important role we each play in this (r)evolution of collective consciousness from separation to oneness, from fear to hope, from hate to love. Rabin writes: “Never is art more essential than in times of separation; it is the ultimate force of creativity, hope, reflection and revolution.”
For those who are new to my work, I founded the Studio in 2003 and have been committed to raising awareness of the sacredness of the creation, our interconnectedness in the web of life, and the plight of endangered species. Over the years, through sales of my work, I have donated funds to the World Wildlife Fund, Audubon Society, Panthera (big cats), and the National Resource Defense Council (NRDC).
Every purchase has contributed to “the more beautiful world our hearts know is possible” to quote Charles Eisenstein. Not only do you bring this beauty into your sacred space or give as a gift, you make a difference with your purchase and I thank you. Mother Earth and her creatures thank you.