|Vespers is the evening prayer of thanksgiving and praise in the Liturgy of the Hours. This was the most challenging painting for the “Where We Stand is Holy” installation as every body of water and her creatures are threatened. It was difficult to discern what to include: dolphins, sharks, blue fin tuna? The list is endless. Inspired by an interview I heard with world-reknowned marine biologist Sylvia Earle who spoke of the profound beauty when she started diving and given that our coral reefs are in crisis, I included many of the beautiful fish that call these underwater lungs home. |
The figure became Aphrodite who was born of the sea. Doves, the scallop shell, and pearl are some of her sacred symbols. And the chalice at the center, signifies the holiness of water that is used in every spiritual tradition for liturgical ritual. Water is life. Water is sacred.
Thank you for following along on this journey that began many years ago. After the first two panels were complete, I placed it on hold while I cared for my elderly father and made the transition back to the East coast. It felt like an overwhelming vision when I began and grateful to Spirit for guiding my hand.
Trust is an important aspect of the creative process!
Working on the rest of the pieces for the installation that will create a temple space to celebrate the sanctity and beauty of the creation and to grieve what is being lost. Sending prayers to those in California who are affected by the recent wildfires. May all beings be safe.
With love and gratitude,
|In Praise of Water |
Let us bless the grace of water:
The imagination of the primeval ocean
Where the first forms of life stirred
And emerged to dress the vacant earth
With warm quilts of color.
The well whose liquid root worked
Through the long night of clay,
Trusting ahead of itself openings
That would yet yield to its yearning
Until at last it arises in the desire of light
To discover the pure quiver of itself
Flowing crystal clear and free
Through delighted emptiness.
The courage of a river to continue belief
In the slow fall of ground,
Always falling farther
Toward the unseen ocean.
The river does what words would love,
Keeping its appearance
By insisting on disappearance;
Its only life surrendered
To the event of pilgrimage,
Carrying the origin to the end,
Seldom pushing or straining,
Keeping itself to itself
Everywhere all along its flow,
All at one with its sinuous mind,
An utter rhythm, never awkward,
It continues to swirl
Through all unlikeness,
A ceaseless traverse of presence
Soothing on each side
The stilled fields,
Sounding out its journey,
Raising up a buried music
Where the silence of time
Becomes almost audible.
Tides stirred by the eros of the moon
Draw from that permanent restlessness
Perfect waves that languidly rise
And pleat in gradual forms of aquamarine
To offer every last tear of delight
At the altar of stillness inland.
And the rain in the night, driven
By the loneliness of the wind
To perforate the darkness,
As though some air pocket might open
To release the perfume of the lost day
And salvage some memory
From its forsaken turbulence
And drop its weight of longing
Into the earth, and anchor.
Let us bless the humility of water,
Always willing to take the shape
Of whatever otherness holds it,
The buoyancy of water
Stronger than the deadening,
Downward drag of gravity,The innocence of water,
Flowing forth, without thought
Of what awaits it,The refreshment of water,
Dissolving the crystals of thirst.
Water: voice of grief,
Cry of love,
In the flowing tear.
Water: vehicle and idiom
Of all the inner voyaging
That keeps us alive.
Blessed be water,
Our first mother.
~ John O’Donohue
“Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world.”~ John Milton, 17th c poet.
Welcome new friends! As I await Hurricane Dorian’s impact here in my adopted state of NC, contemplating this painting “Reverence.” They say Raleigh-Durham area shouldn’t experience too much damage but sending out prayers to those devastated in the Bahamas and coastal areas. The awe and fierceness of Mother Gaia.
While working on this painting a few years ago, what kept coming to me was “Why Do We Crucify Ourselves?” (in the face of the climate crisis and ecological degradation) but what ultimately came through was “reverence”. How do we reverence the earth so profoundly, that it changes “forever how we experience life and [care for] the world?
I’ve always been drawn to the Celtic Cross when I see them scattered throughout old cemeteries–standing there majestically with their beautiful, ornate designs. Here, I added the Celtic knot pattern inspired by my own ancestral, Scottish homeland and symbols of the four elements (air, fire, earth, water) used by alchemists. I love drawing from the wisdom of the ancients, who have much to teach us about balancing the transcendent with the sacred imminent woven throughout the everyday.
It was a delight to have people from 350 Triangle come together in my new studio space to co-create in preparation for the upcoming Climate Strike here in Raleigh, and there are actions all across the globe. It’s been many years since I’ve had any workshops in my space due in part to caring for my elderly father until his death and then the transition to move back to the East coast. Feel energized again to start offering workshops again this fall. Visit my workshops page to learn more: https://www.sacredartstudio.net/events/
With love and gratitude,
“Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth’s treasures and the grinding down of the poor and marginal… To hope is to give yourself to the future – and that commitment to the future is what makes the present inhabitable.” -Rebecca Solnit, Hope in the Dark
Solnit’s book has become my manifesto during these troubled times. This week here in the U.S. has been particularly grievous with two mass shootings grounded in racism and misogyny further dividing our country. I send out love and a breathe of solidarity to all feeling the heartbreak of this trauma.
If you have been following my work, you know how deeply I believe in our fundamental interconnectedness and oneness with all beings including the more-than-human world. In my grief and outrage, it would be easier to just give up and the last few days have tested my faith in the healing power of art. At the same time, I have continue to show up in the morning and paint my heart on the canvas. What else am I to do, I ask?
I also agree with one of my spiritual teachers, Marianne Williamson, who is running for President. The forces of hatred are so strong that we must LOVE with the same (or more) intensity and conviction. Love of self, love of the neighbor & stranger, love of beauty, love of mother earth.
I don’t know how Julian of Norwich (who inspired the painting above), who lived as an anchoress during the Black Death in Europe, was able to say: “All shall be well, and all shall be well and all manner of thing shall be well” but it helps to remember that there have been other dark periods in our human history. And that art and beauty have likewise prevailed. Will you join me in this revolutionary love?
If you would like to support this ministry, you can purchase prints, posters, blankets, and note cards at my online store.
With love and gratitude,
“Sacred Art. Sacred Activism” in the August issue.
From the introduction:
We are living in a time of great change: racial, economic, and political polarities continue; climate change is contributing to record wildfires, drought, and other natural disasters across the globe; and mass shootings are sadly becoming normative to our daily lives.
There is much to grieve as we bear witness to our changing world. In tandem with what has been defined as the great unraveling, many of us are already participating in the birth of a new evolutionary consciousness as the Science of Mind community has long affirmed. Out of this darkness there is a collective rebirth yet to come with the light of love as our guide. As we navigate this threshold between a dying paradigm and a world that works for all, can art hold out a mirror to the truth of our oneness and the sacredness of all creation? Can art inspire hope and action on behalf of the living earth?
Throughout history, human beings have given expression to God, the Divine. Consider the cave paintings of Lascaux, the Hagia Sophia mosque in Turkey, or the golden icons of the Eastern Orthodox Church. To quote the late Irish philosopher John O’Donohue: “God is Beauty.” Sacred art is born of the marriage between the Holy and the creative imagination.
The Science of Mind magazine is available at Barnes and Noble and by subscription. https://scienceofmind.com/
|“It’s absurd to think of artists simply as ‘painting nature.’ . . . For them, nature is a medium, a language by which they reveal their world. What genuine painters do is to reveal the underlying psychological and spiritual conditions of their relationship to their world. . . They have the power to reveal the underlying meaning of any period precisely because the essence of art is the powerful and live encounter between the artist and his or her world.” -Rollo May|
I recently picked up and began re-reading Rollo May’s The Courage to Create that I first encountered back in graduate school. It’s an inspiring manifesto for the artist around the importance of art and creativity in a societal context as well as unconscious obstacles that are necessary to overcome in order to give birth to our artistic vision. For example, the relationship between creativity and death, our immortality, and what he refers to as “an active battle with the gods.”
Not unlike Stephen Pressfield’s The War of Art, it means moving past resistance and trusting in the process. That the “gods” are actually on our side. Showing up even when it’s challenging. Not always easy but it is possible at any stage of our life.
It takes courage, which comes from the French root coeur or heart, to show up for creative work. A very talented friend of mine recently picked up a paintbrush again after 30 years. She entered her gorgeous painting into a juried exhibition and it was accepted. It’s never too late to pick up a brush, or the pen.
I can recognize when I’m hitting resistance in my process usually when nearing completion. While working on the above (from the Where We Stand is Holy installation), I needed to surrender for a time and then wrestle with the angels or demons that kept me from moving forward. It’s a breakthrough moment and am now in the finishing stages of this piece that shines a light on the creatures of the Arctic regions threatened by climate change. Where are you resisting your creative expression?
If you read or subscribe to the Science of Mind magazine look for my article, “Sacred Art. Sacred Activism.,” in the August issue.
Happy Interdependence Day!
“Listen, are you breathing just a little, and calling it a life?”
It has been a slow unfolding here since my last newsletter. Settling into my new home and studio here in Panther Branch Township just south of downtown Raleigh. It’s now six months since I pulled out of Portland and headed back East to begin a new chapter of life. Something I swore I would never do after moving alone to Portland in 1993. It was hard then and I was in my early 30s. It took time to make a life but a beautiful life it was and remain so grateful for all the many gifts over the years.
Never say never. Here I am approaching 60 and starting over again! Natural concerns about finding community, making meaningful connections, and making a living linger but life–and loss–have taught me too many times that everyday is a gift. Some days I am lonely but on this day of life, I am following my soul. Where it will lead remains a mystery. This is the journey of a pilgrim. Will you join me? “Are you breathing just a little and calling it a life” to quote Oliver. Where are you being called to expand and take a step toward your soul calling? Artistically or otherwise?
Right now, I am committed to finishing the “Where We Stand is Holy” installation by the end of August to begin exhibiting in the Fall. I began the series of paintings around endangered species and landscapes several years ago but got put aside while care taking my father prior to his death and with the cross-country move. Prints of the first two panels (Lauds: Prayer for the Birds and “Sext: Prayer for the Desert”) are available at my shop.
The new studio seen above looks out over a quiet piece of land with wild trees, a little pond, and an abundance of Cardinals and Eastern Bluebirds. I traveled 3000 miles to find peace. Om shanti. Though I do look forward to returning to Portland to visit friends!
For love of the EARTH,
“The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. To protect what is wild is to protect what is gentle. Perhaps the wilderness we fear is the pause between our own heartbeats, the silent space that says we live only by grace. Wilderness lives by this same grace. Wild mercy is in our hands.” -Terry Tempest Williams, Refuge.
This painting came through me very quickly on one hand just prior to my move but I have long been drawn to the tragic story of the Passenger Pigeon. With a population between 3-5 billion, it was the most abundant bird in North America. Flocks would darken the sky for days as they flew overhead. Yet human exploitation drove this species to extinction over the course of a few decades. “Martha” the last Passenger Pigeon died in 1914. Originating in Scotland, the cairn or stacked stones, implies a funereal monument and in the lower left corner, the extinction symbol. Created by a London artist Xylo: “The circle signifies the planet, while the hourglass inside serves as a warning that time is rapidly running out for many species” during what is now being defined in our time as the Sixth Mass Extinction of Species.
The demise of the Passenger Pigeon is also an urgent message around our own vulnerability in the face of ecological degradation including climate change. “How might we act with restraint” to quote Williams? And how do we navigate these changing times? And with grace?
While speaking at the Parliament of the World’s Religions in November, indigenous elder Jim Dumont, of the Anishinabeck Nation, encouraged us to “Speak for the plants. Speak for the creation. Speak to the conscience of those who are destroying them.” This was affirming of my work and deeply moving. I wept. Art plays an important role not only in communicating a message/vision but, as most of you know, the process itself offers healing and a spiritual practice for resilience during troubled times. Even something as simple as coloring, drumming, planting flowers, or the latest ZenTangle can have enormous benefits for your well being and stress level.
I am settling into the new home and studio here in the Panther Branch Township (in Raleigh NC) and will share more next month. You can always check out Facebook, Twitter, or Instagram for updates between newsletters. As always, I welcome your thoughts.
For love of the EARTH!
No surprise then that butterfly woman (see my first mandala at this link) is reappearing at this threshold of my life as I embark on the next stage of this journey and navigate my second Saturn return. This 29-year cycle is often a time of disruption and transformation, and a necessary shedding occurs that opens space for the new. Has this been true for you? My first Saturn return was marked by the deaths of my brother and mother that initiated me into a new awareness of the preciousness of life, prompting my relocation to Portland 25 years ago.
I have been blessed to call this place home all these years and it has been through a long period of discernment that I have decided to move back to the East coast. It’s a leap into the unknown which is at the heart of any pilgrimage. And as pilgrims on the path, we must follow the call of the soul. This doesn’t mean it has been easy or without grief and many sleepless nights but the signs are clear. It’s time to spread my wings.
The signs were emerging four years ago, during an Animas Valley quest into the wild indigenous soul but I was caring for my elderly father and was unable to make a move at that time. This came via email recently from one of my teachers and guides on the quest, Bill Plotkin:
If you’re in Colorado, I’ll be back to Mile Hi for the closing of my show on September 30th. Hope to see you there!
For those in the Northern Hemisphere, I hope your summer season is bringing you opportunities for rest, play, and wild creativity. We’re also seeing unprecedented heatwaves and too many fires around the world even in the Arctic and send prayers to all those impacted. It’s hard to deny the impact of climate change and my heart breaks for our beloved planet and all beings–human and the more-than-human world.
We are in the midst of radical change on a global scale and for those of us who are empathic, we are feeling this deeply. I vacillate daily between a desire to hide on one hand, and on the other, a call to action on a larger scale. Consider the social movements of the 20th century. But if we truly desire to work “Toward an Interspiritual World,” a world that is just, peaceful, and ecologically sustainable, there will be some birthing pains along the way. Remember to breathe deeply and tap into the creativity you were born with no matter what that looks like for you. This will be essential for your overall well being and contribute to the betterment of our world.
So, I was very inspired during my time with the Mile Hi community last month where my show will be on display through September 30. This is such a beautiful, heart-centered community and a model for these times around radical inclusivity, evolutionary consciousness, and faith in action. It was also very affirming of my work and returned home committed to this journey that began 15 years ago. This may require me to make some personal changes and listening for guidance on that. More to come. In the meantime, I am grateful to all those who I had the opportunity to speak with and to those who purchased originals and other sacred art goodies.
I believe most of us realize on some level that we are at a crossroads. “We can continue on the path we have been on, in this nation that privileges profit over people and land; or we can unite as citizens with a common cause–the health and wealth of the Earth that sustains us.” -Terry Tempest Williams, from The Hour of Land.
May it be so.
“Humanity stands at a crossroads between horror and hope. In choosing hope, we must seed a new consciousness, a radically fresh approach to life drawing its inspiration from perennial spiritual and moral insights, intuition and experience. We call this new awareness Interspiritual. . . the recovering of the shared mystic heart beating in the center of the world’s deepest spiritual traditions.” -Wayne Teasdale, “The Mystic Heart”
Created specifically for the Mile Hi exhibit, the “Unity Consciousness” mandala is inspired by the Science of Mind teachings of Ernest Holmes and his notion of the “Golden Thread of Truth” that recognizes that thread of connection between all our spiritual traditions. No matter what faith we choose or inherit, including science, we are all interconnected in the web of life. We are one with God, with the Other, and with all Creation symbolized by the cycles of the season. Colorado state animals shown here were my spirit guides during painting sessions. Learn more about Science of Mind here: https://tinyurl.com/y75x7udl
If you are in the Denver area, the show is up through the summer and closes on September 30. I will be on site June 24th and Septhember 30th from 8:30-2pm for the artist meet and greet.