Andean Dreams

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“Andean Dreams” ©2014 Amy Livingstone

A new painting inspired by my Peru pilgrimage. (Read more about that here.)
Symbolism around birthing and new beginnings continues. Original (12x12x1.5″) and prints will be available after the painting returns from my photographer.

About Siwa Kinti, or the Royal Hummingbird in the Andean Spiritual Tradition:
“One of the highest vibrational energies in nature is carried by the hummingbird. In the Quecha lanaguage of the Andes, the hummingbird is called Kinti and is the archetype representing the direction of the North. This direction holds the qualities of Siwa Kinti, the rainbow hummingbird, who lives between the worlds and serves as a bridge to those who have come before us (our ancestors) and those who will come after us (our children and children’s children). It is said Siwa Kinti was the sacred being of Machu Picchu in Peru and today bridges the two worlds of North and South America. According to the Andean System, royal hummingbird has access to the center of the Hanaq Pacha, or upper world, where Spirit is found. Hummingbird represents the paradox between action and stillness.” Read more here: http://puakaihealing.com/hummingbird/

Where I Stand is Holy

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The winged-ones are speaking through me lately as I work on a new painting; the first in a series I’m calling “Where I Stand is Holy.” This particular vision came to me following my recent wildness trek with Animas Institute. On our last evening, we were invited to share a poem, song, or expression of our soul inspired by our experience. As I shared back in August (see previous post), I felt a deep connection to the forest, Tahoma (Mt Rainier), and White River. The landscape felt holy to me and was reminded of what Yahweh says to Moses: “Take off your sandals, for the place where you are standing is holy ground.” (Exodus 3:5). When we are standing on Mother Earth, Pachamama, we are standing on holy ground. So that evening, I walked out in front of our group, removed my sandals, and sang a song that we often sing during our community sweat lodge. I changed the wording from sitting to standing but it goes like this:

Where I stand is holy, holy is this ground.
Forest, mountain, river, listen to the sound.
Great Spirit circles all around me.

Singing is not my particular gift and rarely sing outside the lodge let alone in front of a group of people that I don’t know well but I felt called to share what was alive for me in that moment. The river spoke to me of letting go of safety and trusting in the journey even when the path is uncertain. It was a very sweet moment and am grateful I found the courage to be vulnerable in front of these other beings–human and non-human. How often do we silence ourselves out of fear of being judged or abandoned?

The first painting of this 4-panel series that will once again address threatened species includes the Arctic Tern, Varied Thrush, and American Three-toed Woodpecker (view more at my Facebook and Twitter pages) and they are three of 314 North American birds that are threatened by climate change. The Audubon Society is tracking this and you can learn more and pledge to take action at this link. The painting process has been emerging slowly as the vision becomes clearer to me but there is also a feeling of uncertainty as to whether I can actually manifest what it is that I am being called by Spirit to create. This will be a time-intensive project and feels a bit overwhelming at times. Some days, I hear that little voice inside my head that says I “should” (a word that should be eliminated from our vocabulary!) create artworks that are more commercially viable but this is where my soul is called to be. So everyday, I show up, listen, and trust that I am being guided to serve not only my soul but the earth and the creatures in this way. Where might you be called to serve your soul and our world?

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She Who Watches Final Painting

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The completed painting on my easel one recent sunny autumn morning. This painting, “She Who Watches,” is inspired by my recent soul journey with Animas Institute to explore what Bill Plotkin (guide and author of Wild Mind) defines as our Wild Indigenous Self. The experience was yet another homecoming and I felt a deeper communion with all creation. Owl came to me during one of our wanderings, so this painting became a self-portrait around my embodiment of owl spirit and her ability to be still and to watch, listen, and hold vision in the darkness. Thresholds of transformation and shape shifting are alive for me during this time of mid-life and perhaps for you, too. Embracing the journey to live from the soul and serve this divine calling.

Sometimes, when a bird cries out,
Or the wind sweeps through a tree,
Or a dog howls in a far-off farm,
I hold still and listen a long time.

My soul turns and goes back to the place
Where, a thousand forgotten years ago,
The bird and the blowing wind
Were like me, and were my brothers.

My soul turns into a tree,
and an animal, and a cloud bank.
then changed and odd it comes home.
and asks me questions. What should I reply?

-Hermann Hesse