Presenting at Marylhurst University

flavia hall

me at conference_marylhurst
I had the joy of returning to my grad school alma mater, Marylhurst University last weekend to give a presentation entitled, Contemporary Sacred Art and Spiritual Ecology. This was part of the annual meeting of the PNW Chapter of the American Academy of Religion, Society of Biblical Literature & The American Schools of Oriental Research. (Click here to learn more). It was very meaningful for me to return to campus, shown here in full bloom, and to share my work with this community of scholars.

Eight years ago, in 2007, I presented my master’s thesis here as part of the MAIS, or Interdisciplinary Studies program with a concentration in Spiritual Traditions & Ethics. Throughout my graduate studies, the intention for my research was to discover how we as a species had become so disconnected from our place in the life web, that we were destroying the land base on which all life is dependent. My thesis was a culmination of this research and I put forward the argument then, that the ecological crisis was a psychological and spiritual crisis. Today, there is a growing dialogue around the spiritual response to the ecological crisis that is now being defined as “spiritual ecology” and this is the core of my work as a contemporary sacred artist and activist. Here’s the abstract for my presentation:

Contemporary Sacred Art and Spiritual Ecology [Abstract]
What is the role of sacred art in the face of climate change? This interdisciplinary presentation is centered on the belief that our current ecological crisis is a spiritual crisis. Those of us in the developed West have become so far removed from our innate interdependence in the web of creation that we are destroying the land base on which all life is dependent. My research shows that this destructive way of being has evolved over the millennia beginning, in part, with the rise of monotheistic religious traditions that reverenced a transcendent God, while rejecting the holiness of the natural world out of fear of being associated with paganism and witchcraft. Alongside this paradigm, we are also seeing a resurgence of indigenous ways of knowing that remind us that the earth is holy and worthy of our reverence. Through my work as an artist and in this paper, I present a synthesis of these two ways of being in relationship to the Sacred that is both transcendent and immanent creating a third narrative as expressed through interspiritual artwork. In conclusion, this project will shed light on the way that contemporary sacred art can help us confront the ecological crisis including species extinction and climate change.

I presented under the Art and Religion panel and was honored to be in the company of so many gifted scholars, and a group of amazing women, in this section. Many had completed their doctorate work at Pacifica or CIIS (California Institute of Integral Studies). Two excellent graduate-level institutions that are bringing forward the new cultural paradigm through their programs. The conference ignited my passion for scholarly inquiry though pursuing a PhD that could take up to eight years of my life and considerable financial resources (that I don’t have) isn’t where I feel called to be right now, though I am keeping the seed planted for a future time. There are critical issues facing life on earth and at this time in my life, I am called to continue the vision and intention that I set forth thirteen years ago when I founded Sacred Art Studio. And so it goes…

For love of the Earth.

Thanks to Louise Paré of CIIS for the photograph during my presentation.