“Let us green the earth, restore the earth, heal the earth….” -Ian McHarg
“Commemorative Mandala” for Mike Marxen
Commemorative: an object such as a stamp made to mark an event or honor a person.
This mandala honors you and your 41-year contribution to the planning, conservation, and restoration of eco-systems from Minnesota, Iowa, the Pacific Northwest to the Hawaiian Islands.
Forty-one years of “walking your talk,” being a “believer,” symbolized by the outer ring—the walkway—so prevalent in our wildlife refuges—with 41 footsteps intertwined with the tracks of bison, bear, wolf, deer, otter, and duck family. Because of your dedication, you created and restored natural environments where animals and humans can co-exist.
Ancient civilizations practiced the sciences of Alchemy and related the different metals to specific planets. Copper is ruled by the planet Venus and is associated with the matters of love and symbolizes characteristics like charisma, artistic creativity, affection, caring, and balance. It is also considered a healing metal that teaches about living a fulfilling life. Silver is connected to the Moon and associated with philosophical traits of intuition, self-reflection, and inner wisdom—like your Cancerian self. It is symbolic of attributes such as vision, clarity, awareness, focus, persistence and subtle strength.
Being a stamp collector as a youth, I chose the stamp as a commemorative symbol for your journey beginning in the direction of the East. Minnesota where you were born, with Loon, the state bird. The Loon relies on water and water is a symbol for dreams and multiple levels of consciousness, thus Loons teach us to follow our hopes, dreams and wishes. Which you have done! Showy Lady Slipper is the state flower of Minnesota.
To the South: I sensed a deep pride in your work on behalf of the Neal Smith Wildlife Refuge. Here, through your contribution with the USFWS, you restored the tall grass prairie, brought back the Bison, Elk, and created habitat for critically endangered monarch butterflies. The Wild Prairie Rose is the state flower of Iowa.
In the West: Your journey brought you to Oregon and here you made many contributions to the health of our forests, rivers, estuaries—our ecosystems—around the Pacific Northwest. You shared your joy of salmon fishing with your son. Though the Oregon Grape is the state flower, I chose the ground cover cornus canadensis as you mentioned its significance to you around your farm.
To the North: The last stretch of your 41-year career brought you to the magical islands of Hawaii. Though separated from your beloved Kim, you were able to contribute to the development of a marine monument, educating and protecting marine animals like the monk seal, and contributing to the cultural preservation of Midway, the home of our beautiful, magical Albatross. An albatross as a spirit animal is attributed to grace, stamina, monogamy, loyalty, faithfulness. The yellow hibiscus is the state flower of Hawaii.
In the center of the mandala, Leech Lake, the place you most love—on the lake, fishing (next to being in the garden in summer). Here, the sunset symbolizes the end of this particular chapter and offers a new beginning back in Oregon to the West, reunited with your beloved, to live happily ever after!
It was an honor to create your soul symbol mandala for you, Mike. Thank you for all your work on behalf of our Earth and all her creatures!
“O people! We have been taught the language of birds, and been given everything
˹we need˺. This is indeed a great privilege.” Quran 27:16
As I shared with you last month, The “Conference of the Birds” was originally inspired by a Sufi text of the same name by Farid Ud-Din Attar, who influenced our most famous Sufi poets and mystics Rumi and Hafez. Though the painting doesn’t include birds from this epic poem, I loved the dialogue among the birds within the text about their journey (including their initial resistance) toward union with the One, the Beloved.
Who hasn’t experienced that resistance on the spiritual journey? There is a lot of fear in our world right now and it would be easy to give up on that which feeds life. But when we answer the call of Spirit, there is no going back sleep. And we will need to deepen our commitment in holding the light in the days, weeks, and months ahead.
Attar was Persian, so the arches and textures are inspired by Islamic architecture and designs which render a feeling of the sacred. Per these evolutionary times we are living through, along with the beauty in the Garden, there is darkness around us as the poppy and lily flowers also portend. But here the Cardinal, Goldfinch, Red-winged Black Bird, and Arctic Tern hold the light of hope in the center around the circle of life, the one Divine source. Red, yellow, black and white, we are one people. Let us join together in love and unity for the healing of our world, and the Earth. Though difficult to see at this size, the red calligraphy at the bottom is Farsi, the Persian language, for love.
“The path is lined with all the world’s people, in all colors of the medicine wheel—red, white, black, yellow—who understand the choice ahead, who share a vision of respect and reciprocity, of fellowship with the more-than-human world. Men with fire, women with water, to reestablish balance, to renew the world. “ -Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants.
May it be so as we navigate this election day here in the United States and in the days ahead.
With love and gratitude,
but the silence of our friends.” -Martin Luther King, Jr.
|Alchemy of Change, 12×12″ 2020, ©Amy Livingstone|
From my June Newsletter
Greetings Earth Lovers
What a difference a few weeks makes. We are living in extraordinary times indeed. I know many of us are feeling the sorrow (and outrage) of our collective history and the racial injustice towards people of color in this country. We are a nation founded on genocide and slavery and it now feels there is reckoning for those of us who have had the luxury to turn away. But the time is now. Change is here. I pray that like the lotus that grows out of the watery muck and the butterfly that emerges from the darkness of its chrysalis, that the beauty of unity, justice, healing, and reconciliation will blossom.
The arts are playing a significant role at this time. Numerous books, films, and documentaries offer us an opportunity to learn and understand. I don’t know how to have the difficult conversations but as a white woman, right now I am educating myself and ready to listen.
Yggdrasil Tree of Life
Unveiling “Yggdrasil Tree of Life.” For the beauty and mythic narratives of our ancestors who also lived through times of profound uncertainty. May we rise to the challenges of our time with courage, faith, and an open heart. This is long but wanted to share the meaning behind this complex cosmology. What do you see?
My intention was to research the cosmology and mythology of my Swedish ancestors. I wonder if my grandmother Gerda heard about this as a fairytale when she was a child? This work continues with my vision to draw out the pre-Christian, indigenous roots (earth-based spirituality) within our own lineage or faith traditions in order to remember and reconnect to our interconnectedness in the web of life. Our separation from Nature has contributed to the multiple crises we are currently experiencing including the climate crisis and the global pandemic.
I began with the colors of the Swedish and Sami, the indigenous peoples of Scandinavia, flags. The border colors represent the former—blue and yellow. Around the border, the ancient Rune language. The inner ring symbolizes the Sami flag with red (fire), blue (water), yellow (air), and green (earth). And the flowers are similar to those used in their clothing and textiles.
In the Norse cosmology, Yggdrasil is an Ash Tree that forever remains green. It is the holy place of the gods. Because Odin is associated with the tree, his ravens hold the space surrounding the mandala or medicine wheel. The goddess Freya’s cats hold court on either side of Yggdrasil. Three roots of the tree hold it up and stretch out widely. There are nine realms that include humans, gods, giants and fairies.
Ratatosk, is the squirrel, who delivers messages along the rainbow bridge from the eagle above to Nidhogg, the dragon, below. Four stags—Dáinn, Dvalinn, Duneyrr and Duraþrór—gnaw on the buds of the tree. The swans represent the well of Urd where the Norns reside and who were a group (in some sources), a trio of very wise female entities whose magical abilities were unmatched by those of any other being. The shamans and wise women of Yggdrasil!
From my January Newsletter:
New Year. New Decade. New beginnings. Holding this as I navigate darker feelings than usual around the state of our world, and Mother Earth. The fires in Australia. The loss of species. I know we’re all feeling the intensity of these troubled times. Art and beauty save me daily but it’s been a struggle. How about you?
I’ve painted over our communal painting (read here or previous post if you missed that invitation) several times. I read this from Stephen Pressfield in his book The War of Art today: “Resistance is directly proportional to love. If you’re feeling massive Resistance, the good news is that it means there’s tremendous love there too.” Not unlike our grief, which is also an expression of our love. Grief and/or resistance, I’ve returned to my original intention for this painting which is as an offering in the spirit of the Despacho ceremony inspired by my pilgrimage to Peru.
Here, I am painting the Kintu leaves (groups of 3 cocoa leaves), naming the places and creatures you have shared with me. Blowing my breath into the leaf image as a prayer on the wind. The bee at the center, declared the most important bee-ing on the planet.This will likely be a slow process but I am grateful to be a hollow little bone for spirit, to give expression for all your beloved beings.
“Listen, are you breathing just a little, and calling it a life?”
It has been a slow unfolding here since my last newsletter. Settling into my new home and studio here in Panther Branch Township just south of downtown Raleigh. It’s now six months since I pulled out of Portland and headed back East to begin a new chapter of life. Something I swore I would never do after moving alone to Portland in 1993. It was hard then and I was in my early 30s. It took time to make a life but a beautiful life it was and remain so grateful for all the many gifts over the years.
Never say never. Here I am approaching 60 and starting over again! Natural concerns about finding community, making meaningful connections, and making a living linger but life–and loss–have taught me too many times that everyday is a gift. Some days I am lonely but on this day of life, I am following my soul. Where it will lead remains a mystery. This is the journey of a pilgrim. Will you join me? “Are you breathing just a little and calling it a life” to quote Oliver. Where are you being called to expand and take a step toward your soul calling? Artistically or otherwise?
Right now, I am committed to finishing the “Where We Stand is Holy” installation by the end of August to begin exhibiting in the Fall. I began the series of paintings around endangered species and landscapes several years ago but got put aside while care taking my father prior to his death and with the cross-country move. Prints of the first two panels (Lauds: Prayer for the Birds and “Sext: Prayer for the Desert”) are available at my shop.
The new studio seen above looks out over a quiet piece of land with wild trees, a little pond, and an abundance of Cardinals and Eastern Bluebirds. I traveled 3000 miles to find peace. Om shanti. Though I do look forward to returning to Portland to visit friends!
For love of the EARTH,
“Humanity stands at a crossroads between horror and hope. In choosing hope, we must seed a new consciousness, a radically fresh approach to life drawing its inspiration from perennial spiritual and moral insights, intuition and experience. We call this new awareness Interspiritual. . . the recovering of the shared mystic heart beating in the center of the world’s deepest spiritual traditions.” -Wayne Teasdale, “The Mystic Heart”
Created specifically for the Mile Hi exhibit, the “Unity Consciousness” mandala is inspired by the Science of Mind teachings of Ernest Holmes and his notion of the “Golden Thread of Truth” that recognizes that thread of connection between all our spiritual traditions. No matter what faith we choose or inherit, including science, we are all interconnected in the web of life. We are one with God, with the Other, and with all Creation symbolized by the cycles of the season. Colorado state animals shown here were my spirit guides during painting sessions. Learn more about Science of Mind here: https://tinyurl.com/y75x7udl
If you are in the Denver area, the show is up through the summer and closes on September 30. I will be on site June 24th and Septhember 30th from 8:30-2pm for the artist meet and greet.
Divinity and the universe seem deeply biased in favor
of the future. Both celebrate emergence.
Call it: Resurrection. Call it: New Life or New Creation.
Call it: Evolution or Creativity. I believe in the future
and the possibilities of hope.
-Theologian Matthew Fox, founder of Creation Spirituality.
I discovered this quote after I completed “Resurrection” seen here above and it felt so appropriate to the vision behind this painting: Holy mother earth with the seed of life nestled in the heart of the web of life. Our current paradigm is cracking open. Transformation, symbolized by the monarch butterflies, is assured. To maintain life on earth, we need the return or “resurrection” of ancient ways of knowing associated with indigenous and ancestral wisdom, for living in harmony with the earth.
Fox’s message fills me with hope and possibility at a time of deep division and uncertainty in our country, in our world. Art has that power, too. Hope.
I’ve been researching options for people to collect my work in more affordable ways. Art blankets have been something I’ve considered for awhile. Popular in the visionary arts community, they’re great to take to any festival, camping, or to snuggle up with at home. Spread the beauty.
These soft and cozy blankets are woven with 100% cotton. 60% of which is recycled cotton. Made in the USA. $85 plus shipping. (If you’re in the Portland area, I could arrange for delivery.) I’m taking pre-orders here.
I’m also thrilled to share with you that Robin Wall Kimmerer, author of Braiding Sweetgrass loved the Reciprocity Mandala. She wrote:
“I have to tell you that I just cried when I saw your painting. I feel my dear ones from Braiding Sweetgrass, so very much alive here, so loved. It is so whole. The love and the grief…the glimpse of salamanders, the radiance of goldenrod and asters….This is really magnificent and I am so touched by your creation. This is our work, together-to reciprocate the beauty of the world with beauty of our own. I am so grateful.”
I’m so deeply touched. And in spite of all the uncertainty, I am also grateful. For life, for spirit. For the beauty of our world. Where are you creating beauty today?
From my December newsletter:
Happy Solstice & Holydays
To those of us in the Northern Hemisphere today marks the beginning of winter. My/our Celtic and Scandinavian ancestors had rituals to welcome the return of the light during this darkest of days. And it’s no coincidence that Hanukkah and Christmas fall around the Winter Solstice both of which celebrate the light. In the Jewish faith, it was a vessel of oil that was meant to burn for one day, and lasted for eight, symbolized by the lighting of the menorah. And for those of the Christian faith, a little bundle of hope born into a time of darkness.
I was pulling runes, a Nordic divination system, when working on the mandala below. When drawing ISA (I) the guidance is to stop and go within. It announces a time of restoration and renewal at the deepest level. I’m entering this space as we approach the year’s end and embracing the stillness after two Christmas seasons in the hospital with my father, who departed this realm last month.
Rape of the Spirit, 2001, Bronze ©Amy Livingstone
It’s been over a month since my last communication. I hope this email finds you well and enjoying the beauty of Autumn and the lush colors that are abundant this year.
It has been an intense time for me with the sudden death of a good friend and the leader of my spiritual community, and my father’s final passage to the far shore a week ago today. It was hard to see him suffering at the end and am grateful to have been with him when he departed this realm. It was sacred time and naturally brought up memories of sitting by my late brother’s bedside 29 years ago as he lay dying from AIDS. Many of you know of my transformative journey through grief and if not, you can read about it here. My mother’s spirit (as were others) was present in my father’s tiny room over the last several weeks and am imagining them together again.
Art saved me back then and continues to be my saving grace and with so much suffering/violence in our world. The sculpture above “Rape of the Spirit” is one of many sculptures and paintings that emerged out of my own grief. It’s why I believe in the power of art to heal and may be offering some workshops again in the coming year if that is where I am called. Right now, I’m allowing time to grieve and listen for guidance around this next stage of life and work. Where there is an ending, a beginning or rebirth is inevitable and am trusting in that.
I need to be creating, so am slowly getting into the studio and am back to the mandala below. There are many paintings in process and will be sharing those in time. And if you’re starting to think about the holydays, consider purchasing sacred art prints, cards, or originals. I am experimenting with a line of sacred art items and will share more on that soon. Visit the shop here.
“In our sleep, pain which cannot forget
falls drop by drop upon the heart,
until in our own despair, against our will,
comes wisdom through the awful grace of God.”
Reciprocity mandala inspired by Robin Wall Kimmerer’s book “Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants.”