Category Archives: sacred activism
Reverencing Earth Opening at FVAC
Opening reception at Fuquay-Varina Arts Center on September 19, 2025. The show runs through November 1. Learn more and get directions here.
Reverencing Earth Artist Statement:
These paintings are portals of the sacred. Integrating archetypal symbols with architectural thresholds and the mandala (Sanskrit for circle) provide a framework to give expression to the beauty, bounty, and holiness of the living earth. My love of animals and the more-than-human world and grief for those we have already lost and what is threatened guides my vision to educate and inspire awe for our miraculous planet. Birds and butterflies in particular play a central role as messengers of prophecy, transformation, and hope.
My process involves researching sacred texts, mythology, indigenous ways of knowing, and science/ecology that inform both the narrative of these intricately detailed paintings and art as a spiritual practice. The four-panel series Where We Stand is Holy including is a creation-centered interpretation of the Liturgy of the Hours, reminiscent of Medieval illuminated manuscripts. Yggdrasil Tree of Life is inspired from my Swedish ancestry and Norse mythology, while the Reciprocity Mandala and Kinship Mandala are inspired by Robin Wall Kimmerer’s Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants.
Reverencing Earth is holding a deep sense of respect, awe, and appreciation for the natural world, recognizing its intrinsic value, and our interconnectedness. It involves acknowledging our place within the web of life while inviting practices that promote conservation and advocating for environmental protection. As we navigate an uncertain future, loss of biodiversity, deforestation, climate change, and plastics inundating our waterways, how can we be a faithful witness to our changing world? How do we break open our hearts to the beauty and the sorrow then be inspired to take action to preserve life on earth? This is my quest and my prayer.
{Unveiling} Kinship Mandala
The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. . . Wild mercy is in our hands. -Terry Tempest Williams
From my May 21st newsletter:
I’m excited to share that I have completed the “Kinship Mandala,” our Council of All Beings to borrow from my teacher Joanna Macy. I envisioned this piece in November of 2019 and invited friends and followers of my work to contribute: “Who do you love and would grieve if lost to the climate crisis?” Many of you responded and I bow with gratitude to you all. I put the piece aside during Covid then worked on other paintings over the years. But our kin kept calling me back to make manifest this love and beauty on their behalf. More recently, as I painted, my process became an elegy (like much of my work of late) as the current administration rolls back protections for endangered species, clean water and air, and climate, while preparing for the deforestation of public lands. Trees that caption carbon, are home to countless creatures, and allow us to breathe. There is indeed much to grieve.
Many of you love and would grieve our beloved trees and forests, so they became the silent sentinels in the four corners while also representing the four seasons. The bee in the center was also a favorite and declared the most imported bee-ing on earth in January of 2020 (read article here.) No one mentioned food kin but I included a coffee plant in the direction of the east with Rufus hummingbird (for Gary) drawn to its nectar. In the corners, fruit, and in the meadow border, grazing farm animals.
The center of the mandala, the coppery, rich soil with its underground network connecting trees. Mycorrhizal fungi play a crucial role in the below ground carbon cycle and facilitating carbon transfer between trees. You can see the silver carbon molecules in the center and up the trees to the crown. It’s fascinating and have learned so much over the years reading books by scientists and indigenous wisdom keepers who are sharing their knowledge around the awe and miracle of our forests. (Happy to share resources if you email me).
“If grief can be a doorway to love, then let us all weep for the world we are breaking apart so we can love it back to wholeness again.” Robin Wall Kimmerer
Forest, grasslands, desert, and marine ecosystems are represented in each of the four directions. Hoofed, winged, finned, and reptilian kin with a wide-range of flowers dot the landscapes throughout the mandala. I especially loved researching insects which are all so unique and beautiful. The 8″ yellow, comet moth native to Madagascar certainly became a favorite of mine.
I’m sending her out to be digitized and limited-edition prints will be available in the next month. If you’re in the Raleigh area, I’m having a show of my work at the Fuqua-Varina Art Center in September/October where this mandala will have it’s premiere. More to come on that.
Thank you everyone.
I am with you in our love and in our heartbreak.
A prayer, a poem, a painting for peace.
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“Darkness cannot drive out darkness: only light can do that.
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From my May newsletter:
I hope this note finds you well and grounded as we continue to swim in the turbulent waters of this election year and bear witness to the ongoing tragedies of war, especially in Gaza. It’s a lot to take in and praying for peace doesn’t seem enough but Ellen Bass’s poem “Prayer for Peace” (Read full poem here) speaks to my heart. How do we make every moment holy and a prayer for peace. This is an excerpt:
With each breath in, take in the faith of those
who have believed when belief seemed foolish,
who persevered. With each breath out, cherish.
Pull weeds for peace, turn over in your sleep for peace,
feed the birds for peace, each shiny seed
that spills onto the earth another second of peace.
Is it foolish to believe—to pray for peace, for unity? Perhaps, but we will persevere and I continue to believe in the power of the arts to make a difference. Historian Ken Burn’s 2024 commencement address at Brandeis is so inspirational if you haven’t seen it and, likewise, affirms the role of the arts. We need all our creativity and the power of the moral imagination to solve today’s crises.
I’ve created several interfaith peace paintings over the years, and am currently working on “Holy Land” (seen above). The Palestinian Sunbird and the Hoopoe are the national birds of Palestine and Israel, respectively, and seen here with the national flowers. Nature knows no borders. Similar in theme is the “Conference of the Birds” that also speaks to unity amidst the darkness of our times.
I pray for peace. I paint for peace. For beauty and the enduring spirit of hope in us all. Keeps me going as I now also navigate another injury having fractured my wrist on May 3. Breathing in, breathing out: I cherish this precious moment. May all know peace.
With love and gratitude,
Amy
New Paintings + Ancient Celtic Wisdom of the Forest
“The forest is far more than a source of timber. It is our collective medicine cabinet. It is our lungs. It is the regulatory system for our climate and our oceans. It is the mantle of our planet. It is the health and well-being of our children and grandchildren. It is our sacred home. It is our salvation.” ― Diana Beresford-Kroeger, To Speak for the Trees: My Life’s Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest.
“Rilke’s Angel” 24×36″, 2022. Acrylic on Canvas
“lord god Bird: Elegy for Ivory-billed Woodpecker.” 12×36″, 2022. Acrylic and Jewels on Canvas.
From my September Newsletter:
I hope this message finds you well and perhaps welcoming in cooler temperatures though I know the West coast is still battling wildfires. Prayers up to all beings including those of the more-than-human world who are impacted.
I was able to complete these two paintings recently. It’s surprising how physical painting truly is, at least for myself as I prefer standing at my easel. So going back and forth between the palette and canvas, then stepping back to view your work, takes stamina. My knee has healed considerably so am able to work with minimal pain. Unfortunately, one of the wires is now protruding and I’m heading into another, albeit easier, surgery for their removal. I’m looking forward to having this completed so I can get back to strength training and a full recovery! If you missed the news about my fractured patella, read about that here.
Both of these paintings give expression to my sorrow over the loss of our beloved trees and as a consequence another one of our winged kin. They say that when people saw the magnificent Ivory-billed Woodpecker, they would exclaim “Lord God Bird” due to its size and beauty. Declared extinct last year though some argue that there may still be some living in the swamps of Louisiana (the state flower is magnolia) though there hasn’t been a sighting since 1944. They went extinct due to unchecked logging and loss of habitat. This painting will be included in the “Where We Stand is Holy” exhibit when I find a location for that. Lost another year here due to my injury but trust in Divine timing.
Buy recycled FSC products whenever possible and advocate for our forests. Without the global forest there is no hope for humanity’s future on earth. Join renowned biochemist and botanist Diana Beresford-Kroeger in her mission to share the ancient Celtic wisdom of the trees and bring about a renewed connection to the Global Forest. Learn more about her mission to protect our forests here.
For love of the Earth!
Art for the Healing of our World
“The Guardian” 30×40″ ©Amy Livingstone
The Peace of Wild Things
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
-Wendell Berry
Summer greetings my July newsletter:
Sweltering heat has settled over North Carolina (and for most of us in the Northern Hemisphere) while fireflies dance about in the evenings, deer pass through the land stopping for a nibble under the bird feeder, and the setting sun illuminates pine trees with a magenta glow. “For a time I rest in the grace of the world, and am free.”
It has been months since my last newsletter but I’ve been so focused on my recovery and regaining strength in my leg—it’s been all consuming. Today is the six month anniversary of my injury when I slipped on black ice and shattered my knee cap/patella. It has been a grueling recovery especially the first three months when my knee couldn’t bend to 90º, the first indicator to determine if I would regain full use of my leg. Screaming, wailing, crying—4x a day for months—pushing to get my knee to bend. It was brutal. I wrote about this journey at my blog which you can read below.
Fortunately, after five months of physical therapy, I am now bending at 132º. I drive now, care for my daily needs, and am walking much better. The first time I walked nearly two miles around a local lake, I had a “Rocky” moment and wept. When my surgeon first saw my X-rays six months ago, he wasn’t confident that I would walk again (perhaps meaning a return to my former abilities). I wept with joy and gratitude.
There’s still pain and they tell me it will likely be many months before it feels “normal” so I continue with daily PT and strength training. I am gradually painting again and looking to what comes next around this holy calling. We are in the midst of so much global change and after nearly 20 years with this particular vision, I am contemplating what might want to change or be updated in my work if anything. Not clear yet but trusting. Some adventure and travel is likewise calling!
I know that art is essential for the healing of our world. In an interview with the late, beloved Barry Lopez, his parting words—to all of us who are artists, writers, healers, and creatives working for the good of our planet—was: “Don’t be distracted. Stay in your prayer. Just keep doing the work.” At times, it can feel hopeless but I’m taking his words to heart. The world needs all of our creative gifts now more than ever—and yes, you do have a gift!
For love of the Earth!
20th Anniversary of “A Journey of Healing & Hope”
“The future belongs to those who believe in beauty of their dreams.”
–Eleanor Roosevelt
From my August newsletter:
Today (August 11) is the 20th Anniversary of my first art installation “A Journey of Healing & Hope: Honoring Loss and Celebrating Life” which was the culmination of a decades worth of paintings and sculptures that began in the wake of my brother’s death from AIDS in 1989 and the sudden death of my mother nine months later. Art saved my life as I have shared many times over the years. It’s why I believe so deeply in the power of art to heal our hearts and our world. It was a powerful evening for all who attended and being witnessed in my grief was profoundly healing. (See photos below.)
To celebrate this anniversary, I’m offering 20% off
everything at my online boutique. Use Coupon “ART20” at
checkout through August 31.
This event was also the launch for my working professionally as a visual artist and healer. Though I had been drawing and painting since my teens, completed undergraduate studies in Fine Art, discovered sculpture in my 30s, and had a wildly successful design business, I was 41 when I answered the call of my soul. It’s been an amazing 20 years and feel so blessed for this creative life journey. As a healer, I began offering “Healing HeARTS” circles for women in grief (based on the Dougy Center peer-support model where I’d been a volunteer working with grieving children for eight years) but those quickly morphed into ecological grief/art circles after a 10-day intensive in the Work That Reconnects with environmentalist Joanna Macy a year later.
It’s been a meaningful two decades and continue to follow the thread of my calling, completing graduate studies in Religion and Ethics in 2007, exhibiting my work, completing commissioned works, creating ecologically-based installations, writing, facilitating workshops, leading ceremonies, and presenting at conferences including the Parliament of the World’s Religions. All in service to the healing of Mother Earth, Pachamama, though as I write this, I am feeling the weight of the new data coming out about the climate crisis. Breathing into that and may we each continue to hold the light in these dark times with the gifts that are ours.
Though deeply loved I was not encouraged as a child to pursue a creative life, so it was against all odds that I have moved beyond the limitations of my ancestral heritage to follow my creative dreams. Don’t ever give up on your dream, friends! We all have a creative gift and the world needs it now more than ever.
Deep gratitude to all my friends, family, and supporters!
We need each other.
In solidarity and love,
Amy
The invitation to the opening.
A stunning movement piece from Donnella Wood that honored my journey of transformation.
Attendees were invited to plant seeds for my journey going forward.
“Rape of the Spirit,” 2001, (Bronze). One of the sculptures from the exhibit.
{New Painting} The Guardian
“The Guardian” nearing completion.
Happy Earth Day!
From my April newsletter: Though if you have been following my work for sometime, you know that for me (and most of you, no doubt) every day is Earth Day! Bless our beautiful Mother—the source of all life. The vision for “The Guardian” came during my Covid experience in December that I have shared with you. Everyday I anxiously awaited the development of more extreme symptoms and was fearful for myself and my sister who was very ill. On Solstice, Dr Alberto Villoldo of the Four Winds Society was hosting an online celebration. As the Q’ero were preparing a Despacho as an offering to Mother Earth, Pachamama, they shared a message that Earthkeepers would be protected during these troubled times.
I took this to heart as my work and life for the previous 18 years has been dedicated to the healing of the Earth. I had taken Bodhisattva vows with Joanna Macy in 2002, traveled to Peru in 2006 to learn the earth-honoring ways of the Q’ero, and in 2014 during an Animas Valley soul quest, I reaffirmed my commitment to bring the Condor heart to the Eagle people of the North as foretold in the Prophecy of the Eagle and the Condor. There have been many times over the years when I have wanted to walk away from this path, as the ecological crises continue to mount, it can feel overwhelming.
But the message on Solstice was affirming. If make it through, I will continue to be a faithful witness to all that we are losing, to be a maker of beauty for all that remains and for a world yet come. To take action as called. Recently, I was invited to create art during a 350.org Triangle online event to Build Back Fossil Free. See below.
It was very moving and inspiring to hear of all the Great Work, to quote Thomas Berry, being done here in the North Carolina environmental communities. From ending regional pipelines, advocating for missing indigenous women, to regenerative agriculture.
There are so many ways we each can contribute to a more beautiful, ecological just world and know many of you that are already doing awesome work. I bow to you on this Earth Day. If you are called and unsure where you might offer your gifts, follow your grief, your heart, and that will guide the way. We are all Earthkeepers.
Unveiling Conference of the Birds + Call for Unity
“O people! We have been taught the language of birds, and been given everything
˹we need˺. This is indeed a great privilege.” Quran 27:16
As I shared with you last month, The “Conference of the Birds” was originally inspired by a Sufi text of the same name by Farid Ud-Din Attar, who influenced our most famous Sufi poets and mystics Rumi and Hafez. Though the painting doesn’t include birds from this epic poem, I loved the dialogue among the birds within the text about their journey (including their initial resistance) toward union with the One, the Beloved.
Who hasn’t experienced that resistance on the spiritual journey? There is a lot of fear in our world right now and it would be easy to give up on that which feeds life. But when we answer the call of Spirit, there is no going back sleep. And we will need to deepen our commitment in holding the light in the days, weeks, and months ahead.
Attar was Persian, so the arches and textures are inspired by Islamic architecture and designs which render a feeling of the sacred. Per these evolutionary times we are living through, along with the beauty in the Garden, there is darkness around us as the poppy and lily flowers also portend. But here the Cardinal, Goldfinch, Red-winged Black Bird, and Arctic Tern hold the light of hope in the center around the circle of life, the one Divine source. Red, yellow, black and white, we are one people. Let us join together in love and unity for the healing of our world, and the Earth. Though difficult to see at this size, the red calligraphy at the bottom is Farsi, the Persian language, for love.
“The path is lined with all the world’s people, in all colors of the medicine wheel—red, white, black, yellow—who understand the choice ahead, who share a vision of respect and reciprocity, of fellowship with the more-than-human world. Men with fire, women with water, to reestablish balance, to renew the world. “ -Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants.
“Reciprocity Mandala” inspired by Braiding Sweetgrass.
May it be so as we navigate this election day here in the United States and in the days ahead.
With love and gratitude,
Amy
Conference of the Birds
From my September newsletter:
“I want to feel both the beauty and the pain of the age we are living in. I want to survive my life without becoming numb. I want to speak and comprehend words of wounding without having these words becoming the landscape where I dwell. I want to possess a light touch that can elevate darkness to the realm of stars.” -Terry Tempest Williams, When Women Were Birds
I’ve been at a loss for words given everything happening in our world right now. I’m feeling “the pain of the age we are living in” to quote Williams. And I am also looking to the beauty of what remains around me daily. Some would argue a luxury as a person of privilege. Perhaps it is, but I also believe we each have access to the beauty of the living earth at any given moment. We can take moments to stop. Listen. Breathe. Turn off the phone and look at the trees. Listen to the birds. This and art and books, especially poetry, are keeping me sane. What are the ways you are navigating these times?
The “Conference of the Birds” (above) was originally inspired by a Sufi text of the same name by Farid Ud-Din Attar that I discovered through another author, Belden Lane, though none of the birds in this epic poem are included in this painting. Instead, there is Cardinal, Goldfinch, Red-winged Black Bird, and Arctic Tern.
I’m drawing once again from the wisdom of Chief Arvol Looking Horse during the Parliament of the World’s Religions in 2015 that inspired the “All Nations Tree of Life” below. With so much divisiveness in our country right now, this message could not be more urgent. He said: “Red, yellow, black, and white, we must join together as a spiritual community to heal Mother Earth.” Read previous post here.
What I found interesting while working on the “All Nations” painting was the connection to the Judeo-Christian tradition. The raven (in the tree) appears in many indigenous origin stories and also in the Hebrew bible. Noah releases a raven before the dove. (Gen 8) The same four colors of the medicine wheel appear in the Shamanic Judaism (according Rabbi Gershon Winkler). And in the New Testament: “On either side of the river was the tree of life, bearing twelve kinds of fruit, yielding its fruit every month; and the leaves of the tree were for the healing of the nations.” (Rev 22).
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There are so many ways we are interdependent and pray that we come together as a nation to heal the wounds of racial and economic inequality, divisiveness, and the climate crisis. Sending prayers to all being impacted by the fires on the West coast of the US and hurricanes along the Gulf Coast, and to those around the World facing the challenges of our times.
With gratitude and love, Amy
Welcoming Autumn & Archangel Raphael
“Wheel of the Four Winds” ©Amy Livingstone
Beauty blessings during this transition to Autumn in the Northern hemisphere. A belated Shana Tova to my Jewish friends. I’ve been contemplating this painting “Wheel of the Four Winds” again since Rosh Hashanah, the Jewish New Year. Especially, the direction of the West, where the Archangel Raphael, symbolized by the bull, is our guide and teacher in navigating the darkness. Feels appropriate given the collective traumas of this year and the coming darkness of the autumnal season. In our earth-honoring traditions, this is a time for going within—though most of us have been living this all year! But perhaps we can do this more intentionally, asking ourselves what is asking to be released, like the leaves from the trees, to create the compost for the coming year? Breathing into this. Join me?
This painting is inspired by Rabbi Gershon Winkler’s book “Magic in the Ordinary: Recovering the Shamanic in Judaism.” In the Jewish shamanic tradition, “the West is death…the dream place where all the doing ceases and has a chance to process, to become seed for tomorrow’s newness.” And the bull “symbolizes majesty and determination, unrelentingly pushing forward into tomorrow, into the next moment into destiny, against all odds and with a sense of surety and knowing…this is the place of wisdom and understanding.”
The Hebrew transliteration is “tifaret,” or beauty, which sits at the heart of the Kabbalah’s Tree of Life at the center of the medicine wheel. In the four corners Hebrew letters—aleph, mem, and shin—representing the elements of air, fire, water, and earth which Kabbalists ceremonially chant.
Art: “Wheel of the Four Winds.” 2014, 30×48” ©Amy Livingstone. You can read more about this painting here: https://www.sacredartstudio.net/new-year-new-painting/
