Mystical Musings

Reverencing Earth Opening at FVAC

Opening reception at Fuquay-Varina Arts Center on September 19, 2025. The show runs through November 1. Learn more and get directions here.

Reverencing Earth Artist Statement:
These paintings are portals of the sacred. Integrating archetypal symbols with architectural thresholds and the mandala (Sanskrit for circle) provide a framework to give expression to the beauty, bounty, and holiness of the living earth. My love of animals and the more-than-human world and grief for those we have already lost and what is threatened guides my vision to educate and inspire awe for our miraculous planet. Birds and butterflies in particular play a central role as messengers of prophecy, transformation, and hope.

My process involves researching sacred texts, mythology, indigenous ways of knowing, and science/ecology that inform both the narrative of these intricately detailed paintings and art as a spiritual practice. The four-panel series Where We Stand is Holy including is a creation-centered interpretation of the Liturgy of the Hours, reminiscent of Medieval illuminated manuscripts. Yggdrasil Tree of Life is inspired from my Swedish ancestry and Norse mythology, while the Reciprocity Mandala and Kinship Mandala are inspired by Robin Wall Kimmerer’s Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants.

Reverencing Earth is holding a deep sense of respect, awe, and appreciation for the natural world, recognizing its intrinsic value, and our interconnectedness. It involves acknowledging our place within the web of life while inviting practices that promote conservation and advocating for environmental protection. As we navigate an uncertain future, loss of biodiversity, deforestation, climate change, and plastics inundating our waterways, how can we be a faithful witness to our changing world? How do we break open our hearts to the beauty and the sorrow­ then be inspired to take action to preserve life on earth? This is my quest and my prayer.

 

{Unveiling} Kinship Mandala

The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. . . Wild mercy is in our hands. -Terry Tempest Williams

From my May 21st newsletter:
I’m excited to share that I have completed the “Kinship Mandala,” our Council of All Beings to borrow from my teacher Joanna Macy. I envisioned this piece in November of 2019 and invited friends and followers of my work to contribute: “Who do you love and would grieve if lost to the climate crisis?” Many of you responded and I bow with gratitude to you all. I put the piece aside during Covid then worked on other paintings over the years. But our kin kept calling me back to make manifest this love and beauty on their behalf. More recently, as I painted, my process became an elegy (like much of my work of late) as the current administration rolls back protections for endangered species, clean water and air, and climate, while preparing for the deforestation of public lands. Trees that caption carbon, are home to countless creatures, and allow us to breathe. There is indeed much to grieve.

Many of you love and would grieve our beloved trees and forests, so they became the silent sentinels in the four corners while also representing the four seasons. The bee in the center was also a favorite and declared the most imported bee-ing on earth in January of 2020 (read article here.) No one mentioned food kin but I included a coffee plant in the direction of the east with Rufus hummingbird (for Gary) drawn to its nectar. In the corners, fruit, and in the meadow border, grazing farm animals.

The center of the mandala, the coppery, rich soil with its underground network connecting trees. Mycorrhizal fungi play a crucial role in the below ground carbon cycle and facilitating carbon transfer between trees. You can see the silver carbon molecules in the center and up the trees to the crown. It’s fascinating and have learned so much over the years reading books by scientists and indigenous wisdom keepers who are sharing their knowledge around the awe and miracle of our forests. (Happy to share resources if you email me).

“If grief can be a doorway to love, then let us all weep for the world we are breaking apart so we can love it back to wholeness again.” Robin Wall Kimmerer

Forest, grasslands, desert, and marine ecosystems are represented in each of the four directions. Hoofed, winged, finned, and reptilian kin with a wide-range of flowers dot the landscapes throughout the mandala. I especially loved researching insects which are all so unique and beautiful. The 8″ yellow, comet moth native to Madagascar certainly became a favorite of mine.

I’m sending her out to be digitized and limited-edition prints will be available in the next month. If you’re in the Raleigh area, I’m having a show of my work at the Fuqua-Varina Art Center in September/October where this mandala will have it’s premiere. More to come on that.

Thank you everyone.

I am with you in our love and in our heartbreak.

{Unveiling} Holy Land

Two birds in sacred geometry circle with flowers

The final painting, “Holy Land” (nature knows no borders). 24×36″. Acrylic & jewels on canvas. 2024. I wasn’t clear as to why it took so long to complete this particular painting but have come to see its creation as an ongoing peace vigil around the war in Gaza. The Hoopoe, Israel’s national bird, and the Palestinian Sunbird, their national bird, sit upon an unripened olive branch. The national flowers of Israel, Anemone coronaria, and the Palestinian Faqqua Iris hold court below with the Madonna Lily. Each flower representing the people of the Abrahamic traditions—Judaism, Christianity, and Islam—that call the Holy Land (including the Dome of the Rock seen in the background) their home. National butterflies represent a vision of transformation that is desperately needed to bring peace to the region. Peace. Salam. Shalom. Prints available at my boutique. A percentage of your purchase benefits an aid organization working in the region.

A prayer, a poem, a painting for peace.

“Darkness cannot drive out darkness: only light can do that.
Hate cannot drive out hate: only love can do that.”
-Martin Luther King Jr.

From my May newsletter:

I hope this note finds you well and grounded as we continue to swim in the turbulent waters of this election year and bear witness to the ongoing tragedies of war, especially in Gaza. It’s a lot to take in and praying for peace doesn’t seem enough but Ellen Bass’s poem “Prayer for Peace” (Read full poem here) speaks to my heart. How do we make every moment holy and a prayer for peace. This is an excerpt:

With each breath in, take in the faith of those
who have believed when belief seemed foolish,
who persevered. With each breath out, cherish.
Pull weeds for peace, turn over in your sleep for peace,

feed the birds for peace, each shiny seed
that spills onto the earth another second of peace.

Is it foolish to believe—to pray for peace, for unity? Perhaps, but we will persevere and I continue to believe in the power of the arts to make a difference. Historian Ken Burn’s 2024 commencement address at Brandeis is so inspirational if you haven’t seen it and, likewise, affirms the role of the arts. We need all our creativity and the power of the moral imagination to solve today’s crises.

I’ve created several interfaith peace paintings over the years, and am currently working on “Holy Land” (seen above). The Palestinian Sunbird and the Hoopoe are the national birds of Palestine and Israel, respectively, and seen here with the national flowers. Nature knows no borders. Similar in theme is the “Conference of the Birds” that also speaks to unity amidst the darkness of our times.

I pray for peace. I paint for peace. For beauty and the enduring spirit of hope in us all. Keeps me going as I now also navigate another injury having fractured my wrist on May 3. Breathing in, breathing out: I cherish this precious moment. May all know peace.

With love and gratitude,
Amy

 

Unveiling “The Seeker”

“The Seeker.” 24×24″ 2024. Acrylic & jewels on canvas. ©Amy Livingstone

Dear Karen G.
When we spoke, you said you wanted to feel: “Gratitude. Acceptance. Presence” when you viewed your mandala. I kept this in mind while working on the piece. Also your ability to be “grateful to see beauty. Lucky to have richness, depth of curiosity—and that which is spiritual.”

The color palette is drawn from your love of Naples yellow, terra cotta, olive green, turquoise and teal. The colors of the desert. And bright like the sun and summer, your favorite season.

The inner circle represents your search for the Transcendent. The desert where you feel closest to God. The canyons with light and shadows that you love. Here, is the Court of the Patriarchs from Zion in Utah representing three patriarchs: Abraham, Isaac, and Jacob. I chose this as you explore your relationship to your Catholic faith through the lens of the Mystics and the Desert Fathers and Mothers. The Seeker, the veiled figure—you—standing in the arched threshold symbolizes the light you see around others and the healing pranic energy you offer to others.

Coleus, one of your favorite plants, has a lot of symbolism in different faith traditions around spiritual evolution and healing and are associated with enlightenment and spiritual growth. They are also said to possess healing properties. Your beloved bees called serve as a symbol of rejuvenation and divinity.

The outer ring symbolizes Immanence. The mystic in you that sees the beauty of the natural world. I chose one of your favorite flowers, the day lily, for it’s “unique structure” and sits in the four directions. Also the canaries you love and birds for your mother who sang to them.

The outer pattern symbolizes your love and appreciation of Islamic architecture and culture, and your recent journey to Andalusia.

May this mandala guide you on your journey of FAITH…

Art Opening at Zin Yoga & Wine Lounge

 “Where We Stand is Holy” Art Opening. Deep bow of appreciation to those who braved Tropical Storm Ophelia and came out for the opening at Zin Yoga and Wine Lounge in Old Town Garner, just south of Raleigh on September 23rd. There was a steady stream of visitors and it was a delight to connect with this wonderful community. Gratitude to Jessica at Artizen Ventures, shown with me here, who coordinated the show for me and owner Kara for hosting my work. The “Reciprocity Mandala” found a new home with this lovely couple, Eric and Gin. A hard one to let go of, but I’ve enjoyed her here in my studio for these past six years.

As many of you know, the painting is inspired by Robin Wall Kimmerer’s “Braiding Sweetgrass.” When I completed the painting in 2017, I sent her a limited-edition giclee print. This was her response: “I have to tell you that I just cried when I saw your painting. I feel my dear ones from Braiding Sweetgrass, so very much alive here, so loved. It is so whole. The love and the grief…the glimpse of salamanders, the radiance of goldenrod and asters…This is really magnificent and I am so touched by your creation. This is our work, together-to reciprocate the beauty of the world with beauty of our own. I am so grateful.”

Show runs through the end of the year. Discover Zin Yoga here who shares a similar vision as mine! “Our vision is that of a watering hole – a place where ALL can come, regardless of our differences, to receive the nourishment we need.”  – Kara O’Briant (founder)

New Painting (Commission)

“You have the freedom to be yourself, your true self, here and now, and nothing can stand in your way”.” -Richard Bach from Jonathan Livingston Seagull


“Pam’s Beach”, 36×24”, Acrylic, 2023. (Commission) ©Amy Livingstone

I love this quote from Jonathan Livingston Seagull, the 1970 text that helped shape a generation of free spirits pushing the social and cultural boundaries of that era. My eldest sister, Pam, is of that generation and am grateful to all the women like her who broke through established norms so those of us coming up behind them could have the freedoms our mothers never had, and to choose how we wanted to live our lives (though our reproductive rights are being stripped across this country which is outrageous to say the least).

Pam recently commissioned me to paint a beachscape (seen above) for her new home in SW Florida as she begins life anew. Her only requests were lots of blue and to feel peace and calm. It was a joy and a lot trickier to paint water lapping up on the sand than I had imagined! Of course, she also loved the sanderlings so ubiquitous to the beaches and her own Livingstone Seagull.

Our Lady of Sorrows


O Lacrimosa
-Rainer Maria Rilke 

I
Oh tear-filled figure who, like a sky held back,
grows heavy above the landscape of her sorrow.
And when she weeps, the gentle raindrops fall,
slanting upon the sand-bed of her heart.

O heavy with weeping. Scale to weigh all tears.
Who felt herself not sky, since she was shining
and sky exists only for clouds to form in.
How clear it is, how close, your land of sorrow,
beneath the stern sky’s oneness. Like a face
that lies there, slowly waking up and thinking

horizontally, into endless depths.

II
It is nothing but a breath, the void.
And that green fulfillment
of blossoming trees: a breath.
We, who are still the breathed-upon,
today still the breathed-upon, count
this slow breathing of earth,

whose hurry we are.

(Excerpt. Transl. by Stephen Mitchell)

This is a long post but I have been contemplating this over the past few days with the start of Holy Week, so read as much or little as you feel called. Blessings to all who celebrate this sacred time.

Most of you know I love Rilke and recently came across this poem which so resonates with my painting of “Mother Mary.” She was inspired by Michelangelo’s monumental-scale sculpture, the “Pieta”—where a very youthful Mary is seen weeping and holding the dying Christ across her lap.

Lacrimosa translates as weeping and refers to “Our Lady of Sorrows,” Mother Mary. It’s holy week for those of the Christian faith centered around the return of Jesus to Jerusalem, culminating in his crucifixion and resurrection. Death. Rebirth. It’s no accident that this season of Easter corresponds to the period around Spring Equinox. It’s well known among progressive theologians that the early writers of the Christian texts grafted their narrative over the pagan traditions of the time. Caves were popular places in the ancient world for spiritual awakenings and transformations (e.g., Muhammed). The womb of our Mother Earth. In Oregon, I attended Sweat Lodge ceremonies during the holy days and were always profound.

Probably like many of you raised as a Protestant, I did not have any relationship with Mary. It’s one of the few things I admire about Catholicism in that they revere Mother Mary. In my opinion, Luther threw the beauty and Sacred Feminine out with the bath water so to speak during the Protestant Reformation of the early 16th century. In my youth, we attended a Congregational Church that was simple and, being New Englanders, very spare with Puritanism running deep into the roots of our consciousness.

I’m no longer a practicing Christian, in part, due to the egregious interpretations of the scriptures that too often condemn the Other and denies the rights of women, people of color, and the LGBTQ community as we are witnessing in our world today. Though I have reclaimed the prophetic Jesus and his message of love, inclusivity, service, and social activism. Up to the age of about 30, I did believe in a benevolent Christian God that was somehow looking over my family and myself. But when my brother died of AIDS in 1989 and Christian leaders and politicians pronounced to the world that my brother deserved to die such a horrific death because of who he was, I was outraged. When my mother died suddenly nine months later, I couldn’t believe in a God who could cause so much suffering in my life. It was a dark period as many of you know who have followed my journey.

Fortunately, over time, my grief journey did ultimately culminate in a spiritual awakening and transformation that continues to inform my life. And I came to deeply appreciate Jesus and Mother Mary during my years in graduate school studying World Religions. I had read “Mists of Avalon” and seen the film version many years previously that ends with Mary becoming the manifestation of the Goddess in a new form which resonated for me. But it was during a Spiritual Direction retreat on the campus of Marylhurst University, Oregon’s oldest Catholic university and the first liberal arts college for women established in the Northwest, in 2006, that I had an epiphany.

I was walking around the property one morning, in reflection and contemplating this sacred time in community with other budding scholars, when I came upon a small sculpture of the “Pieta,” near a parking lot of all places. One might not have even noticed it, but there it was. What I saw was my own mother weeping over her dying son. In the early morning on the day he would die, after sleeping in the hospital waiting room, I walked into my brother’s bright room. My mother was sitting by his bed, weeping, and she said to me: “My son is dying and there is nothing I can do.” Mothers weeping over their sons, dying from a plague condemned by those in power. It was a powerful vision of love and a letting go of the anger I had harbored all those years towards Christianity though I would not return to the Church itself.

I don’t believe in original sin or that Christ is my redeemer but I celebrate that this Holy Prophet walked on this Earth—in the Garden, by the Sea, and in the Wildness—spreading a message of Love and was willing to die for that Divine calling. We can also celebrate the fecundity and beauty of the season and release what no longer serves us so that what needs to be reborn can find its way into our lives. And we can honor mothers who mourn.

May all beings know love. May all know peace.

Art: “Mother Mary.” 18×24”, Acrylic, 2010. ©Amy Livingstone. Original, prints, and posters available. www.sacredartstudio.net

{New} Calling in the Ancestors

My heart’s in the Highlands, my heart is not here,
My heart’s in the Highlands, a-chasing the deer;
Chasing the wild-deer, and following the roe,
My heart’s in the Highlands, wherever I go.

Farewell to the Highlands, farewell to the North,
The birth-place of Valour, the country of Worth ;
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.

-Robert Burns

I recently completed “Calling in the Ancestors”* inspired by my Scottish ancestry. Here, the figure is draped in the Livingston(e) Tartan and in the background is Loch Linnhe and Castle Stalker in the Highlands where my ancestors originated. Heather, shown in the field and on the flower crown, grows wildly there and the thistle (seen in the border) is the national flower of Scotland. Si Je Puis is the Livingstone heraldic motto and means “If I Can.” I feel more connected to my ancestors through this process and hope to visit one day soon. Gratitude to my sister, Beth, who has done all the sleuthing on our Scottish and Swedish ancestry.

While working on the piece, I asked myself: How can we draw courage, wisdom, and resilience from all our ancestors during these troubled times? We are ancestors in the making. How will future generations remember us and our response to the challenges of our time? The winged Scottish Crossbill is our spirit guide as we navigate this territory.

*Note: The photo was taken with my iPhone. Prints coming soon!

Happy Solstice + Heartspace Anthology Now Available

“I wonder if the snow loves the trees and fields that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, ‘Go to sleep, darlings, till the summer comes again’.” -Lewis Carroll


Frosty mornings here on the land. ©Amy Livingstone

Very chilly mornings have arrived here in North Carolina! Warm thoughts to those who are experiencing the deep polar vortex and pray for those vulnerable to the cold—human and more-than-human. I’m grateful for shelter and embrace the interiority of the season and the darkness as a time of reflection, inspiration, and creative visioning. May the beauty of the season be yours and inspire your own creativity in the spirit of joy, peace, and healing.

Snowy Night
-Mary Oliver

Last night, an owl
in the blue dark
tossed an indeterminate number
of carefully shaped sounds into
the world, in which,
a quarter of a mile away, I happened
to be standing.
I couldn’t tell
which one it was –
the barred or the great-horned
ship of the air –
it was that distant. But, anyway,
aren’t there moments
that are better than knowing something,
and sweeter? Snow was falling,
so much like stars
filling the dark trees
that one could easily imagine
its reason for being was nothing more
than prettiness. I suppose
if this were someone else’s story
they would have insisted on knowing
whatever is knowable – would have hurried
over the fields
to name it – the owl, I mean.
But it’s mine, this poem of the night,
and I just stood there, listening and holding out
my hands to the soft glitter
falling through the air. I love this world,
but not for its answers.
And I wish good luck to the owl,
whatever its name –
and I wish great welcome to the snow,
whatever its severe and comfortless
and beautiful meaning.

I feel blessed to be included in this anthology of essays around grief, healing, and transformation. It’s published by Heart2Heart, a local non-profit here in North Carolina that supports individuals, families and communities who are in the sacred passage of the dying time, and also those that are navigating grief through movement, massage therapy, and sacred music.

My contribution in this collection is titled: “The Healing Power of Art and Holy Listening” about my transformative journey through grief after the deaths of my brother and mother thirty years ago that led me to this path. There are many other inspirational stories that I look forward to reading as well. If you are looking for support or inspiration on your journey, it’s available on Kindle or in paperback here.